HOLLER IF YA HEAR ME, the world inside Tupac Shakur's music and lyrics, blazes to life in a non-biographical story about friendship, family, revenge, change and hope. Inner city lives struggle for peace against the daily challenges they face in this entertaining and original musical. Through the poetry of one of the 20th century's most influential and culturally prominent voices, we are given a window into realities of the streets still relevant today.
HOLLER IF YA HEAR ME, written by Todd Kreidler, directed by Kenny Leon, will begin performances on June 2nd, 2014 (1564 Broadway at 47th Street).
It's a safe bet that a swath of theatergoers has steered clear of hip-hop -- at least, the kind not scripted by 'In the Heights' composer Lin-Manuel Miranda -- because it's gritty, racy and has a perception problem in some quarters. If that's you, then 'Holler If Ya Hear Me,' the Broadway musical 'inspired by' the lyrics of Tupac Shakur, is a chance to correct a grave omission. If, however, you've been on the Tupac train all along, then 'Holler,'...is a banner opportunity to stand in awe of a rich canon that, it's difficult to grasp, originated with a man who died at only 25. But the two-dozen songs lushly presented...are threaded together by a fictional story so tired, and so often told, that you can't help but walk away feeling that an opportunity has been missed.
So let's first praise Holler If Ya Hear Me (*** out of four stars) for what it's doing -- acknowledging that Broadway audiences are growing more diverse, and encouraging that growth -- and, just as important, what it isn't doing: milking nostalgia...Under Kenny Leon's vigorous, sensitive direction, the principal actors -- among them a coolly charismatic Christopher Jackson and a typically warm, fierce Tonya Pinkins -- are convincing and sympathetic, and Waters and choreographer Wayne Cilento mine the robust grooves and soulful nuances in Shakur's material in exhilarating production numbers. Though there are sobering twists -- and contrived ones -- the overall effect is uplifting. By celebrating its subject's creativity rather than exploiting his legend, Holler sets a fundamentally positive example for a problematic form.
2014 | Broadway |
Original Broadway Production Broadway |
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