On learning of his mother’s death, country music icon Strings McCrane (Adam Driver) finds himself in an existential tailspin. The only way out, he decides, is to abandon superstardom in favor of the simple life, so he moves back to his hometown in Tennessee. The simple life turns out to be anything but simple in this brilliantly observed tragicomedy, as the consequences of Strings’s success and mind-bending effects of his fame prove all but impossible to outrun.
Throughout the play’s somewhat meandering 2 hours 40 minutes, Driver does not hit a false note, a feat considering the aw-shucks, cowboy clichés lurking in the lines for less capable actors. And the slightly overlong story is helped along by a steady stream of laughs, remarkably more than expected given the premise. (Adam Driver dealing with grief and existential dread does not immediately evoke comedy.) But even when playing the whiny mama’s boy or entitled fame monster, his openness is magnetic, especially at such close range in the Lortel—an ideal venue for his gifts. One can’t help but fall to pieces.
It’s not that Hold On To Me Darling – opening tonight Off Broadway at the Lucille Lortel Theatre – is bad (it isn’t, though there are moments that do their best to convince otherwise). Confounding might be a more accurate description, starting with this: In the eight years since its last Off Broadway production, directed, like this one, by Neil Pepe, how could the supremely gifted Lonergan (This Is Our Youth, The Waverly Gallery, Lobby Hero) not come to some decision about what, exactly, this shaggy dog is supposed to be about?
2016 | Off-Broadway |
World Premiere Off-Broadway Production Off-Broadway |
2024 | Off-Broadway |
Off-Broadway Revival Off-Broadway |
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