Across a void of thousands of miles and oceans of hurt, two half-brothers tentatively reconnect over the care of their ailing mother. Grangeville is a new play about the fallibility of memory, the stories we tell to make sense of our suffering, and the complexity of forgiveness.
The play’s engine having finally turned over, it purrs confidently to the end, which includes a coup de théâtre reminiscent of the one in Hunter’s previous Signature outing, “A Case for the Existence of God.” Like that gorgeous play, too, it offers the idea of incremental hope to those whose lives would not seem to allow it. The trick, as Stacey learns from reading medieval history, is to find the freedom in that. There is no fate, Hunter argues, and his play demonstrates: just an infinity of second chances.
Slowly we learn what the issues are in “Grangeville,” the latest play by Samuel D. Hunter that is, much like his others, quiet, insightful, ultimately moving. If your relationship with a sibling is complicated – and whose isn’t? – it hits home. At the same time, though, the production, which opens tonight at Signature Theater, might require a little more work on the part of the audience, thanks to a few challenging choices by both Hunter and director Jack Serio.
2025 | Off-Broadway |
Signature Theatre Off-Broadway Premiere Production Off-Broadway |
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