After winning the 2022 Pulitzer Prize for his play *Fat Ham*, playwright James Ijames' new production explores gentrification and the growing price of the American dream in his sharp and funny play, GOOD BONES. A work opportunity to revitalize the blighted neighborhood she grew up in has led Aisha and her chef husband Travis to buy and renovate a charming old house. But as everyone knows, renovation is expensive and stressful—both for buildings and the communities that surround them. Aisha’s young contractor Earl grew up in the area too, but his memories are of more than just dangerous streets and hollowed-out homes. When their purely professional relationship gives way to heated debate about who gets to stay and who has to go, Aisha is forced to reckon with the choices she’s made to get ahead and the painful, joyful, complicated ghosts that haunt her dreams…and her dream house. The Public’s Associate Artistic Director and Resident Director Saheem Ali directs this world premiere play about community, change, and the soul of our cities.
The play doesn’t come down on one side of the gentrification debate or another, but neither does it both-sides the issue. It remains rooted in character, and its conflicts are played out in good faith; its piercing ending is, in miniature, a nudge for us all to reject fear and open our doors and minds, and, most importantly, to fully live in the communities where we live.
Generosity is also a key ingredient in the mortar that holds together Good Bones, the new play from James Ijames now debuting at the Public after a run last year at Washington, D.C.’s Studio Theatre. Like Hwang, Ijames is concerned with questions not only of race and bias but of how Americans are perhaps more shaped by the idea of Americanness than shapers of it. Good intentions, hero complexes, defensive individuality, susceptibility to certain ideas of progress — on these fronts, DHH and Aisha, Ijames’s protagonist, might have much to discuss. It’s prickly territory, but, in their different ways, Hwang and Ijames both navigate it with humor and humanity. Fundamentally, and despite plenty of reasons to throw in the towel, they like people.
2024 | Off-Broadway |
The Public Theater Off-Broadway Premiere Production Off-Broadway |
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