Giant
2 Hours 20 Minutes, Including one 15 Min Intermission
Buy Tickets From $101
Giant Broadway Tickets, News, Info & More
Music Box Theatre (Broadway)
239 West 45th St. New York, NY
A world-famous children’s author under threat. A battle of wills in the wake of scandal. And one chance to make amends... It’s the summer of 1983, The Witches is about to hit the shelves and Roald Dahl is making last-minute edits. But the outcry at his recent, explicitly antisemitic article won’t die down. Across a single afternoon at his family home, and rocked by an unexpectedly explosive confrontation, Dahl is forced to choose: make a public apology or risk his name and reputation.
Inspired by real events, GIANT explores with dark humour the difference between considered opinion and dangerous rhetoric offering a complicated portrait of a fiendishly charismatic icon.
Giant - Broadway Cast
FEATURED REVIEWS FOR Giant
A New Play About Roald Dahl and Antisemitism Marks a ‘Giant’ Step for the Broadway Season
9 / 10
Some of the most cutting and shocking lines in “Giant” are, like those mentioned at the beginning of this review, Dahl’s own, written or spoken decades ago, but that only makes them more relevant. You won’t see a more powerful play this season, or a more important one.
Giant
8 / 10
Nicholas Hytner’s bracing production ran in the West End in 2024 with the same four actors in the main roles, and they mostly work together as a smooth machine. Lithgow’s Dahl can be the soul of charm and playful wit when he’s being indulged, but the judgmental mean streak that enlivens his kids’ books (and especially his macabre short stories) can also make itself felt in real life when he feels challenged. The characters in his orbit know how to flatter and deflect when required, including his good-natured Kiwi housekeeper, Hallie (Stella Everett), and his hearty groundskeeper, Wally (David Manis). Cash’s performance is a somewhat different register—it feels more strained—and this hint of formal discontinuity works to the production’s advantage. Jessie is the outsider here, ill at ease from the beginning, and Dahl treats her with annoyed contempt, homing in on her points of vulnerability (as a young person, as a woman, as an American and especially as a Jew). The marvelous nastiness in his work, Giant suggests, extends from the fact that he can be a nasty piece of work himself.
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Giant History
Other Productions of Giant
| 2026 | Broadway |
Broadway |
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