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The Rigano Songbook has announced that their 11th Annual Ides of March Extravaganza will be presented at Caveat NYC in March. Learn more about the performance here!

Ryan McCartan has officially taken over the role of Jay Gatsby in the Broadway musical The Great Gatsby. He took his first bow on January 21, 2025. Check out video of McCartan's first curtain call here!

 The Canadian Opera Company's Ensemble Studio for artistic career development has invited five of the country's most talented artists to join next season, marking the 45th anniversary of the COC's innovative program for singers and pianists.

Following his triumph in Seattle Opera’s celebrated Samson and Delilah in Concert in 2023, Seattle Symphony Conductor Emeritus Ludovic Morlot will helm an unprecedented operatic event in January 2025: the SO premiere of Les Troyens in Concert, a rarely performed abridged version of Hector Berlioz’s epic masterpiece, Les Troyens à Carthage. The SO adaptation, Part 2 of Berlioz’s monumental opera, Les Troyens, the pinnacle of the composer’s life work, begins with the arrival of the great warrior Aeneas at Carthage and ends with the tragic immolation of Queen Dido.

Pianist Alexandre Kantorow, winner of the 2024 Gilmore Artist Award, appears throughout the United States in both concerto performances and in recital from late January to early February 2025.

New Performance Traditions will present a new production of Both Eyes Open, an experimental electroacoustic opera by Brooklyn-based composer Max Giteck Duykers and Berkeley-based librettist and playwright Philip Kan Gotanda.

ECG Productions Inc. and Legato Arts will present Journey of Faith: A Musical Tribute to Mother Teresa on Saturday, February 22, 2025 at 8pm at the Stern Auditorium / Perelman Stage at Carnegie Hall.

Conductor Daniele Callegari will conduct the January performances of Verdi's Rigoletto, replacing Maurizio Benini, who has withdrawn for personal reasons. Learn more!

New York's Heartbeat Opera will present a new adaptation of Richard Strauss' iconic opera SALOME, transforming Oscar Wilde's tight, 100-minute thrill ride into a startlingly intimate Salome.

The holidays are upon us and BroadwayWorld is continuing our favorite annual tradition of celebrating the holiday season with a Twelve Days of Christmas countdown. Day 8 features Kelli O'Hara, Matthew Morrison and Bartlett Sher.

Samuel Vincent Aubuchon and friends sing songs from yesteryear with energy and fondness. The Burt Bacharach tunes in this 12/3 show bring nostalgia and smiles.

Julia & Romeo comes to Theater Basel this month. Performances will begin on 30 November. Learn more about the show and find out how to get tickets here!

The cast has been revealed for Target Margin Theater's world premiere production of Show/Boat: A River, presented by NYU Skirball in partnership with the 2025 Under the Radar Festival. Learn how to purchase tickets.

The 92nd Street Y in New York will present a performance by Akademie für Alte Musik Berlin, featuring German Baroque works. The event will be available for streaming online. Learn how to purchase tickets.

Ryan McCartan will play the enigmatic Jay Gatsby in the Broadway musical The Great Gatsby. Learn more about McCartan who takes over for Jeremy Jordan and the production, and see how to purchase tickets.

Discover the 2025 season lineup at Park Avenue Armory, featuring innovative performances and installations by renowned artists including Yoko Ono and more. See full programming and learn how to purchase tickets.

The San Francisco Opera Center has announced the 2025 Adler Fellows, highlighting emerging artists in opera.

DreamWrights is presenting the award winning play, “Laramie Project,” from November 7th to 10th under the direction of Rodd Robertson. The 22 cast members for “Laramie Project” used simple costume changes with a minimal set design to portray 78 different characters in a series of interviews between Moisé Kaufman and the Tectonic Theater Project Company. Each member carried multiple characters utilizing their strength with different accents and body language. A broad range of emotion and attitudes from both sides of the spectrum was expressed.

The International American Ballet had a successful and sold-out performance of “True Icons Gala” on Saturday, October 19th, at the cozy 14th Street Y Theater in Manhattan. This event offered a refreshing mix of classical ballet and tango, highlighting the company’s diverse talents.

Mezzo-soprano Ariana Maubach of Toronto took home First Prize and the Audience Choice Prize at the Canadian Opera Company’s 11th annual Centre Stage: Ensemble Studio Competition on October 30, 2024 at the Four Seasons Centre for the Performing Arts.

Casting has been announced for the Obie Award-winning Target Margin Theater’s world premiere production of Show/Boat: A River, presented by NYU Skirball in partnership with the 2025 Under the Radar Festival, running January 9–26, 2025 at NYU Skirball.

In venues across Glasgow for the next five days, the sounds and music created by over 200 musicians and composers from Greenland, Iceland, the Faroe Islands, Sweden, Norway, Denmark and Finland – and for the first time in its 136 year history, Scotland – will explore everything; from the intersection point between Shetland and Greenland at 60°N, to working with lung cancer patients on exploring breath as a source of sound.

Leadership changes are shaping Ensemble Studio Theatre and Amphibian Stage, while festivals like Breaking the Binary spotlight marginalized voices. Regional and international updates explore funding challenges, with new grant structures in Austin and evolving arts funding models in the UK.

More than a decade after a serious onstage accident ended her career, veteran mezzo-soprano Wendy White has settled her lawsuit against the Metropolitan Opera.

Vocally and musically, the Canadian Opera Company's production of Gounod's Faust directed by Amy Lane was a sumptuous feast for the ears. While elegant, The restrained production values didn't quite sell the delights of debauchery, leaving the well-known story's premise somewhat flat.