Dear Evan Hansen is the deeply personal, and profoundly contemporary, musical about what happens when we let a lie consume us. This groundbreaking musical - featuring a book by Tony-winner Steven Levenson and a score by the Grammy, Tony and Academy Award winners Benj Pasek and Justin Paul - examines what it means to be alive.
A letter that was never meant to be seen, a lie that was never meant to be told, a life he never dreamed he could have. Evan Hansen is about to get the one thing he’s always wanted: a chance to finally fit in.
Given how it loads its dramatic and moral dice, and the swings of tone between comedy and terrible tragedy, the question is what will collapse when the truths are revealed in Dear Evan Hansen. Well, it doesn't supply what you might expect from some musicals and dramas about teen suicide, our truth-dissembling online worlds, and an extreme case of fabulism. Dear Evan Hansen is beautiful to look at it, slickly directed, and moving, but also biting and subversive-and so may have more to say about teen suicide, parenting, and internet lunacy than the most finely worded op-ed column.
What does it look like when a star is born? In the case of Ben Platt, the astonishing young actor who plays the title role in Dear Evan Hansen, it's a bit like an actual birth: beautiful but strange and wet, tinged with confusion and danger. Evan is painfully introverted; he has no friends in high school, and even the thought of talking to a girl he likes, Zoe (the poignantly unaffected Laura Dreyfuss), makes his palms perspire. Platt's performance extends that to his whole body; when he sings, his face often gleams with sweat. Yet the effect is not off-putting; Evan is immensely lovable, even when he makes terrible mistakes. He speaks in rushes of instant regret, as though frantically digging a hole to bury himself in, and his intense awkwardness is filtered through first-rate comic timing, high-wire dramatic acting and a gorgeously expressive tenor voice.
2015 | Washington, DC (Regional) |
Arena Stage World Premiere Production Washington, DC (Regional) |
2016 | Off-Broadway |
Second Stage Original Off-Broadway Production Off-Broadway |
2016 | Broadway |
Original Broadway Production Broadway |
2019 | Toronto |
Original Canadian Production Toronto |
2021 | West End |
Original West End Production West End |
2021 | US Tour |
First National Tour US Tour |
2024 | US Tour |
US Tour US Tour |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2017 | BroadwayWorld Awards | Best Book of a Musical | Steven Levenson |
2017 | BroadwayWorld Awards | Best Direction of a Musical | Michael Greif |
2017 | BroadwayWorld Awards | Best Leading Actor in a Musical | Ben Platt |
2017 | BroadwayWorld Awards | Best Musical | Dear Evan Hansen |
2017 | BroadwayWorld Awards | Best Orchestrations | Alex Lacamoire |
2017 | BroadwayWorld Awards | Best Score | Benj Pasek |
2017 | Drama League Awards | Distinguished Performance Award | Ben Platt |
2017 | Drama League Awards | Distinguished Performance Award | Rachel Bay Jones |
2017 | Drama League Awards | Outstanding Production of a Broadway of Off-Broadway Musical | Dear Evan Hansen |
2017 | Tony Awards | Best Book of a Musical | Steven Levenson |
2017 | Tony Awards | Best Direction of a Musical | Michael Greif |
2017 | Tony Awards | Best Lighting Design of a Musical | Japhy Weideman |
2017 | Tony Awards | Best Lighting Design of a Musical | Japhy Weideman |
2017 | Tony Awards | Best Orchestrations | Alex Lacamoire |
2017 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Benj Pasek |
2017 | Tony Awards | Best Performance by an Actor in a Featured Role in a Musical | Mike Faist |
2017 | Tony Awards | Best Performance by an Actor in a Leading Role in a Musical | Ben Platt |
2017 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Rachel Bay Jones |
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