ON YOUR FEET! is the story of two people who-through an unwavering dedication to one another and their pursuit of the American dream-showcased their talent, their music and their heritage to the world in a remarkable rise to global superstardom. Set to Gloria's chart-topping, smash hits such as "Rhythm Is Gonna Get You," "1-2-3," "Mi Tierra," and "Conga," in addition to new music penned by the Estefans, the show will be choreographed by four-time Drama Desk nominee Sergio Trujillo (Jersey Boys, Memphis) with a book by two-time Drama Desk nominee Alexander Dinelaris (The Bodyguard Musical, Zanna Don't).
'On Your Feet!' has a whitewashed, corporate-approved texture, which makes Gloria and Emilio come off as utterly devoid of personality despite their accomplishments and personal drama. It's so self-congratulatory that one gets the impression that they personally vetted every line. The production (directed by Jerry Mitchell and choreographed by Sergio Trujillo) comes to life during upbeat production numbers, which have lively, salsa-flavored movement and a hot sound. But more often than not, it gets mired in flashbacks and other downbeat sequences in which the songs lack impact. It feels rather like a pop concert that is too often paused...Ana Villafañe...is a beauty with a bright presence. She receives solid support from Josh Segarra as the gentle Emilio and Andréa Burns as Gloria's stern mother.
Let it immediately be said, audiences will certainly get their money's worth at On Your Feet! if they're enamored of the hot-hot music spread around the globe in tandem by Gloria (Ana Villafane, standing in for the real thing and with energy to spare) and hubby Emilio (Josh Segarra, soigné and sexy as hell in this incarnation). Director Jerry Mitchell helps deliver what's called for in jukebox endeavors like this one. Providing even more oomph is choreographer Sergio Trujillo, who brings on his dancers at the first high-decibel sound blast from the large band Lon Hoyt conducts. Then Trujillo carries on with great regularity from big start to even bigger finish and then right into the curtain call. He hardly stops sending his indefatigable terpers into routines characterized by much shoulder manipulation, hand-clapping and hip swiveling.
2015 | Broadway |
Original Broadway Production Broadway |
2017 | US Tour |
First National Tour US Tour |
2019 | West End |
Original West End Production West End |
2022 | US Tour |
US Tour US Tour |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2016 | Drama League Awards | Distinguished Performance Award | Ana Villafane |
2016 | Drama League Awards | Outstanding Production of a Broadway or Off-Broadway Musical | On Your Feet |
2016 | Outer Critics Circle Awards | Outstanding Actress in a Musical | Ana Villafane |
2016 | Outer Critics Circle Awards | Outstanding Book of a Musical (Broadway or off-Broadway) | Alexander Dinelaris |
2016 | Outer Critics Circle Awards | Outstanding Choreography | Sergio Trujillo |
2016 | Outer Critics Circle Awards | Outstanding Costume Design (Play or Musical) | ESosa |
2016 | Outer Critics Circle Awards | Outstanding Featured Actress in a Musical | Andrea Burns |
2016 | Outer Critics Circle Awards | Outstanding Lighting Design (Play or Musical) | Kenneth Posner |
2016 | Outer Critics Circle Awards | Outstanding New Broadway Musical | On Your Feet! |
2016 | Tony Awards | Best Choreography | Sergio Trujillo |
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