Company, the musical comedy masterpiece about the search for love and cocktails in New York, is turned on its head in Elliott's revelatory staging, in which musical theatre's most iconic bachelor is now a bachelorette. At Bobbie's 35th birthday party, all her friends are wondering why isn't she married? Why can't she find the right man? And, why can't she settle down and have a family? This whip smart musical comedy, given a game-changing makeover for a modern-day Manhattan, features some of Sondheim's best loved songs, including "Company," "You Could Drive a Person Crazy," "The Ladies Who Lunch," "Side by Side," and the iconic "Being Alive."
There are too many musical highs in this show to mention. One of Sondheim’s best scores, it shines here from the emotional, and often comedic, vitality, of an excellent ensemble. For the comic, there’s Act II opener “Side by Side by Side,” for which the cast puts on too-small party hats and Coleman skillfully mixes clownishness and desperation. And then there’s the always-a-showstopper-but-especially-here panicked patter song “Getting Married Today,” performed with neurotic aplomb by Matt Rodin in another perfectly conceptualized gender switch, and which also features characters’ delightful emergence from unexpected spots.
It doesn’t help that the script pairs a passive Bobbie against a crew of colorful couples, ramped up to outsized caricatures in this production. The supporting company superbly grounds their absurdity. The brilliant Matt Rodin deftly navigates the dizzying dread and breakneck pace of “Not Getting Married Today,” now sung by groom Jamie hours before he weds Paul, and unexpected jump scares courtesy of Marina Kondo’s operatic priestess of love and Elliott’s effective staging hams up the number to showstopping proportions. Jacob Dickey finds an earnest sweetness in Andy, the handsome, simple minded flight attendant dating Bobbie. Judy McLane as Joanne, clad in sumptuous furs and sequins designed by Christie, delivers a commanding “Ladies Who Lunch” draped on a barstool and wielding her vodka stinger like a cynical dagger as a warning to those who, like Bobbie, sit on the sidelines watching — but never fully living — life.
1970 | Broadway |
Original Broadway Production Broadway |
1971 | US Tour |
National Tour US Tour |
1972 | West End |
London Production West End |
1978 | Off-Broadway |
Equity Library Theatre Revival Off-Broadway |
1980 | Off-Off-Broadway |
Off-Off-Broadway Revival Off-Off-Broadway |
1987 | Off-Broadway |
Off-Broadway Revival Off-Broadway |
1993 | Broadway |
Reunion Concert Broadway |
1995 | Broadway |
Roundabout Revival Broadway |
1995 | West End |
Donmar Warehouse Revival West End |
2002 | Washington, DC (Regional) |
Sondheim Festival Production Washington, DC (Regional) |
2004 | Los Angeles |
Reprise! Concert Los Angeles |
2006 |
Cincinnati Playhouse Revival |
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2006 | Broadway |
Broadway Revival Broadway |
2007 | New York |
New York Concert New York |
2017 | Regional (US) |
Barrington Stage Company Revival Regional (US) |
2018 | West End |
West End Revival Production West End |
2021 | Broadway |
Broadway Revival Broadway |
2023 | US Tour |
US Tour US Tour |
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