From four-time Tony Award winner Harvey Fierstein (Kinky Boots, Newsies, La Cage aux Folles) comes CASA VALENTINA, his first play in almost thirty years and his first-ever collaboration with Manhattan Theatre Club. Two-time Tony Award winner Joe Mantello (Take Me Out, Wicked) directs this funny, fascinating world premiere based on actual events.
Back in 1962, most men went to the Catskill Mountains to escape the summer heat, but others took the two-hour drive to escape something else entirely: being men. Nestled in the land of dirty dancing and borscht belt comedy sat an inconspicuous bungalow colony that catered to a very special clientele: heterosexual men whose favorite pastime was dressing and acting as women. It was paradise for these men - white-collar professionals with families - to spend their weekends discreetly and safely inhabiting their chosen female alter egos. But when faced with the opportunity to become an official organization, these "self-made women" had to decide whether public recognition would help them gain a place in open society or spell their own personal disaster.
Infused with Fierstein's trademark wit, this moving, insightful and delightfully entertaining new work offers a glimpse into the lives of a group of unforgettable characters as they search for acceptance and happiness in their very own Garden of Eden.
CASA VALENTINA is a recipient of an Edgerton Foundation New American Plays Award.
It's possible to leave Casa Valentina believing that drag for straight men -- as is drag for homosexual men and women in Hedwig and the Angry Inch -- is an ultimately imprisoning mental state. Yet, I have a psychotherapist acquaintance who maintains that some men who dress as women do so because they're so smitten with women, so enamored of their wives in many instances, that they want to find out what it feels like to be women. They're turned on by it -- as Albert/Bessie declares he is here. Fierstein might have made a point of getting around to that and to other psychological insights. That he hasn't hardly detracts from an amazing accomplishment and one that, as the Tony season ends, will be a strong contender for the coveted prize.
Fierstein's compassion for his characters never flags, and director Joe Mantello juggles the vivacious and bleak elements of the play -- its warmth and wryness, both characteristic of the playwright -- adroitly. He has the benefit of a superb ensemble cast. Patrick Page and Mare Winningham have a poignant rapport as George/Valentina and his wife, Rita...Tom McGowan is an immensely endearing Bessie, one of several characters we only meet in their feminine guises, while Gabriel Ebert brings a goofy sweetness to the role of first-timer Jonathan/Miranda. Vets John Cullum and Larry Pine are predictably supple as, respectively, mother figure Terry and The Judge/Amy, who may harbor a dangerous secret. Reed Birney is hilariously starchy as George's aforementioned friend, Charlotte, who at one point declares that in 50 years homosexuality will still be shunned, while 'cross-dressing will be as everyday as cigarette smoking.'
2014 | Broadway |
Manhattan Theatre Club Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2014 | Drama Desk Awards | Outstanding Featured Actor in a Play | Reed Birney |
2014 | Drama League Awards | Distinguished Performance Award | Reed Birney |
2014 | Drama League Awards | Distinguished Performance Award | Gabriel Ebert |
2014 | Drama League Awards | Outstanding Production of a Broadway or Off-Broadway Play | Casa Valentina |
2014 | Outer Critics Circle Awards | Outstanding Featured Actress in a Play | Mare Winningham |
2014 | Outer Critics Circle Awards | Outstanding New Broadway Play | Casa Valentina |
2014 | Tony Awards | Best Costume Design of a Play | Rita Ryack |
2014 | Tony Awards | Best Performance by an Actor in a Featured Role in a Play | Reed Birney |
2014 | Tony Awards | Best Performance by an Actress in a Featured Role in a Play | Mare Winningham |
2014 | Tony Awards | Best Play | Harvey Fierstein |
2014 | Tony Awards | Best Play | Manhattan Theatre Club |
2014 | Tony Awards | Best Play | Lynne Meadow |
2014 | Tony Awards | Best Play | Barry Grove |
2014 | Tony Awards | Best Play | Colin Callender |
2014 | Tony Awards | Best Play | Robert Cole |
2014 | Tony Awards | Best Play | Frederick Zollo |
2014 | Tony Awards | Best Play | The Shubert Organization |
Videos