Camelot comes to vibrant life once again with a new version of the classic tale, reimagined for the 21st century by Aaron Sorkin and Bartlett Sher. Based on The Once and Future King by T.H. White, Camelot is a story about the quest for democracy, striving for justice, and the tragic struggle between passion and aspiration, between lovers and kingdoms. This epic and timely tale features the iconic characters King Arthur, Queen Guenevere, and Sir Lancelot as well as the beloved original score with lyrics by Alan Jay Lerner and music by Frederick Loewe.
Once again, Lincoln Center Theater shows that it knows how to amplify a musical. The real singing voices and the real playing of 30 musicians in the pit can be heard. Marc Salzberg and Beth Lake’s sound design merely supports the music; it doesn’t replace the original sound. It’s ironic because when the Vivian Beaumont opened in 1965, the venue was lambasted as the acoustic nightmare of Broadway theaters. Today, it is the last refuge of experiencing Broadway musicals as they were meant to be heard.
In short, these Camelot revisers do not metaphorically pluck magic sword Excaliber from its stone. They leave it there. There’s simply not a more congenial spot for happily ever-aftering than here in Camelot; it’s just that this particular Camelot spot isn’t that Camelot spot.
Digital Lottery:
Price: $39
Where: http://CamelotBwayLottery.com
When: Entries will be accepted online to available performances beginning at 12:01am EST the night before. Winners will be chosen at random and will be notified by email and text message by 10:00am for matinees and 3:00pm for evening performances on the day of the performance.
Limit: Two per customer
Information: Tickets are subject to availability.
1960 | Broadway |
Original Broadway Production Broadway |
1963 | US Tour |
1st National Tour US Tour |
1963 | US Tour |
2nd National Tour US Tour |
1964 | West End |
London Production West End |
1980 | Broadway |
Broadway Revival Broadway |
1980 | US Tour |
National Tour US Tour |
1981 | Broadway |
Return Engagement [Broadway] Broadway |
1982 | US Tour |
National Tour US Tour |
1982 | West End |
London Revival West End |
1991 | Milburn, NJ (Regional) |
Paper Mill Production Milburn, NJ (Regional) |
1993 | Broadway |
Broadway Revival Broadway |
2003 | Milburn, NJ (Regional) |
Paper Mill Production Milburn, NJ (Regional) |
2003 | Regional (US) |
Regional Revival Regional (US) |
2004 | West End |
London Revival West End |
2005 | Regional (US) |
Regional Concert Regional (US) |
2007 | US Tour |
Touring Revival US Tour |
2018 | Washington, DC (Regional) |
Shakespeare Theatre Company Production Washington, DC (Regional) |
2023 | Broadway |
Lincoln Center Broadway Revival Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2023 | Drama Desk Awards | Outstanding Costume Design of a Musical | Jennifer Moeller |
2023 | Drama Desk Awards | Outstanding Fight Choreography | B.H. Barry |
2023 | Drama Desk Awards | Outstanding Lead Performance in a Musical | Andrew Burnap |
2023 | Drama Desk Awards | Outstanding Scenic Design of a Musical | Michael Yeargan |
2023 | Drama League Awards | Distinguished Performance Award | Phillipa Soo |
2023 | Drama League Awards | Outstanding Direction of a Musical | Bartlett Sher |
2023 | Drama League Awards | Outstanding Revival of a Musical | Camelot |
2023 | Drama League Awards | Outstanding Revival of a Musical | Camelot |
2023 | Tony Awards | Best Costume Design of a Musical | Jennifer Moeller |
2023 | Tony Awards | Best Lighting Design of a Musical | Lap Chi Chu |
2023 | Tony Awards | Best Performance by an Actor in a Featured Role in a Musical | Jordan Donica |
2023 | Tony Awards | Best Revival of a Musical | Camelot |
2023 | Tony Awards | Best Scenic Design of a Musical | Michael Yeargan |
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