A playwright who needs someone to back his next show. A mobster who needs some way to please his showgirl girlfriend.
This could be the start of a beautiful friendship - or a brand new musical comedy!
Based on the screenplay of the acclaimed film, Bullets Over Broadway brings the talents of Woody Allen and Susan Stroman together for the first time.
Loaded with big laughs, colorful characters, and the songs that made the 20s roar, Bullets Over Broadway is ready to bring musical comedy back with a bang.
Some things were never meant to be shouted through megaphones. On the basis of 'Bullets Over Broadway: The Musical,' the occasionally funny but mostly just loud new show that opened at the St. James Theater on Thursday night, that would include the wit of Woody Allen...Yet while the movie was a helium-light charmer, this all-talking, all-singing, all-dancing reincarnation is also all but charm-free...What registered as wistfully absurd on screen has been pushed into grotesqueness. Sex talk that came across with a shrug and a glint resurfaces as a broad neon leer. And the moral ambivalence of its central character feels inappropriately queasy in this heightened, brightened context...Characters who were deftly drawn cartoons on screen have been turned into gargoyles by a desperately hard-working cast.
Allen has pulled something of a Sylvester Stallone in his Broadway book-writer debut: His book never really abandons his screenplay sufficiently to reinvent itself for the theater. For most of the evening, some great dance numbers and many old tunes have simply be inserted into this tale of a young writer (Zach Braff) who willingly allows a mobster (Nick Cordero) to rewrite his play, much to the play's improvement...'Bullets,' the musical, is loaded down with old ditties that wore out their welcome sometime during the run of 'Arthur Godfrey Time' and only vaguely refer to Allen's story...'Bullets' on Broadway rarely breaks free of the movie, and fond memories keep taking us back to the original.
2014 | Broadway |
Original Broadway Production Broadway |
2015 | US Tour |
Non-Equity National Tour US Tour |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2014 | Drama Desk Awards | Outstanding Choreography | Susan Stroman |
2014 | Drama Desk Awards | Outstanding Costume Design | William Ivey Long |
2014 | Drama Desk Awards | Outstanding Director of a Musical | Susan Stroman |
2014 | Drama Desk Awards | Outstanding Featured Actor in a Musical | Nick Cordero |
2014 | Drama Desk Awards | Outstanding Set Design | Santo Loquasto |
2014 | Drama Desk Awards | Outstanding Sound Design in a Musical | Peter Hylenski |
2014 | Drama League Awards | Distinguished Performance Award | Nick Cordero |
2014 | Drama League Awards | Distinguished Performance Award | Zach Braff |
2014 | Drama League Awards | Outstanding Production of a Broadway or Off-Broadway Musical | Bullets Over Broadway: The Musical |
2014 | Outer Critics Circle Awards | Outstanding Choreographer | Susan Stroman |
2014 | Outer Critics Circle Awards | Outstanding Costume Design (Play or Musical) | William Ivey Long |
2014 | Outer Critics Circle Awards | Outstanding Featured Actor in a Musical | Nick Cordero |
2014 | Outer Critics Circle Awards | Outstanding Featured Actress in a Musical | Marin Mazzie |
2014 | Theatre World Awards | Outstanding Broadway or Off-Broadway Debut Performance | Nick Cordero |
2014 | Tony Awards | Best Book of a Musical | Woody Allen |
2014 | Tony Awards | Best Choreography | Susan Stroman |
2014 | Tony Awards | Best Costume Design of a Musical | William Ivey Long |
2014 | Tony Awards | Best Musical | Jeremiah J. Harris |
2014 | Tony Awards | Best Orchestrations | Doug Besterman |
2014 | Tony Awards | Best Performance by an Actor in a Featured Role in a Musical | Nick Cordero |
2014 | Tony Awards | Best Scenic Design of a Musical | Santo Loquasto |
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