Debra Messing (Will & Grace) returns to the stage as Ernestine Ashworth, who spends her 17th birthday agonizing over her insignificance in the universe.
Soon enough, it’s her 18th birthday. Even sooner, her 41st. Her 70th. Her 101st. Five generations, dozens of goldfish, an infinity of dreams, one cake baked over a century. What makes a lifetime…into a life?
A writer of "freewheeling ambition" (Charles Isherwood, The New York Times), Noah Haidle makes his Broadway debut with a poignant new play as fearless in scope as it is tremendous in heart.
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Repetition can make magic happen: repeat a word or a phrase enough times and it breathes new life, fresh meaning. Or repetition can strip language until all that's left are empty rhythms and sounds. Words are funny like that. Noah Haidle's 'Birthday Candles,' which opened on Broadway Sunday night at the American Airlines Theater, tries to build poignancy and depth through moments that repeat like a record needle stuck in a groove. Instead, this Roundabout Theater Company production gets caught in a superficial cycle of wannabe profundities and emotional pantomimes.
For many, Birthday Candles will no doubt prove deeply moving, especially since it inevitably deals with so many relatable issues for both young and old. And if I'm being honest, there were moments that got to me as well, proving that there's still something resembling a heart beneath this curmudgeonly exterior. But then, I've always found cheap music extraordinarily potent.
2022 | Broadway |
Roundabout Theatre Company Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2022 | Outer Critics Circle Awards | Outstanding Actress in a Play | Debra Messing |
2022 | Outer Critics Circle Awards | Outstanding New Broadway Play | Birthday Candles |
2021 | Theatre World Awards | Theatre World Awards | Enrico Colantoni |
2021 | Theatre World Awards | Theatre World Awards | Crystal Finn |
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