Between Riverside and Crazy - 2022 Broadway History , Info & More
Hayes Theatre (Broadway)
240 West 44th St. New York, NY
City Hall is demanding more than his signature, the landlord wants him out, the liquor store is closed – and the Church won’t leave him alone. For ex-cop and recent widower Walter “Pops” Washington and his recently paroled son Junior, the struggle to hold on to one of the last great rent stabilized apartments on Riverside Drive collides with old wounds, sketchy new houseguests and a final ultimatum in this Pulitzer Prize-winning dark comedy from Stephen Adly Guirgis. For Pops and Junior, it seems the Old Days are dead and gone – after a lifetime living Between Riverside and Crazy.
Between Riverside and Crazy - 2022 - Broadway Cast
FEATURED REVIEWS FOR Between Riverside and Crazy
BETWEEN RIVERSIDE AND CRAZY: WILD AND WONDERFUL NEW YORK STORY
10 / 10
With each successive scene, Guirgis peels away layers, and we learn more about Walter: He basically drinks from morning to night. There’s more to his shooting story than we thought. And he has a real mean streak toward the end—truly avaricious and petty. Yet we’re rooting for him despite each disturbing discovery. Henderson, an exceptional stage actor who’s perhaps best known for his roles in August Wilson plays, gives a bravura performance—all the more impressive considering he’s seated for most of his scenes. In his dalliance with the Church Lady (Liza Colón-Zayas, another Guirgis vet)—which features the wildest passing of the Communion wafer you’ll ever see—he’s confined to a wheelchair; and he’s hooked up to an IV and bedridden for an uncharacteristically restrained confessional with Junior. Judging by the entrance applause, Common is this production’s biggest draw, and the neophyte stage actor seems to still be finding his footing. But he’s sweet and subtly charming in a rooftop scene with Colón, and powerful in the aforementioned muted emotional exchange with Henderson. Guirgis gives his characters plenty of R-rated barbs and razor-sharp banter, but those smaller, low-key moments reveal Riverside’s bruised, battered heart.
Review: In ‘Between Riverside and Crazy,’ Real Estate Gets Real
8 / 10
Everyone should see it anyway, to experience the pleasure of a great cast making a shrimps-and-veal meal of the incredibly rich material, even as it flips between comedy and tragedy on its way to the truth in between. Actually, that meal may even be too rich at points; the final scene can’t quite digest all that came before, and there are brief moments throughout when the actors’ love for the material itself begins to show through the facade of character, like those bricks behind the plaster. For the most part, though, Pendleton’s production is amazingly confident, featuring not just Walt Spangler’s set, but also top-notch lighting by Keith Parham, sound and music by Ryan Rumery and, especially, costumes by Alexis Forte, which tell their own story on top of Guirgis’s. And when the scene changes are as expressive as the actors’ attention to every nuance of each other’s actions, staging becomes a kind of emotional choreography: thrilling, precise, impossible to pin down.
Category
Between Riverside and Crazy History
Other Productions of Between Riverside and Crazy
| 2014 | Off-Broadway |
Atlantic Theater Production Off-Broadway |
| 2015 | Off-Broadway |
Second Stage Theatre Production Off-Broadway |
| 2022 | Broadway |
Original Broadway Production Broadway |
Between Riverside and Crazy - 2022 Broadway Awards and Nominations
| Year | Ceremony | Category | Nominee |
|---|---|---|---|
| 2023 | Drama League Awards | Distinguished Performance Award | Stephen McKinley Henderson |
| 2023 | Tony Awards | Best Actor in a Leading Role in a Play | Stephen McKinley Henderson |
| 2023 | Tony Awards | Best Play | Between Riverside and Crazy |
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