City Hall is demanding more than his signature, the landlord wants him out, the liquor store is closed – and the Church won’t leave him alone. For ex-cop and recent widower Walter “Pops” Washington and his recently paroled son Junior, the struggle to hold on to one of the last great rent stabilized apartments on Riverside Drive collides with old wounds, sketchy new houseguests and a final ultimatum in this Pulitzer Prize-winning dark comedy from Stephen Adly Guirgis. For Pops and Junior, it seems the Old Days are dead and gone – after a lifetime living Between Riverside and Crazy.
Everyone should see it anyway, to experience the pleasure of a great cast making a shrimps-and-veal meal of the incredibly rich material, even as it flips between comedy and tragedy on its way to the truth in between. Actually, that meal may even be too rich at points; the final scene can’t quite digest all that came before, and there are brief moments throughout when the actors’ love for the material itself begins to show through the facade of character, like those bricks behind the plaster. For the most part, though, Pendleton’s production is amazingly confident, featuring not just Walt Spangler’s set, but also top-notch lighting by Keith Parham, sound and music by Ryan Rumery and, especially, costumes by Alexis Forte, which tell their own story on top of Guirgis’s. And when the scene changes are as expressive as the actors’ attention to every nuance of each other’s actions, staging becomes a kind of emotional choreography: thrilling, precise, impossible to pin down.
In veteran director Austin Pendleton’s well-balanced production, they are brought to life by an ensemble of actors whose comfort with one another is tangible: Aside from the rapper-turned-actor Common, who makes a solid Broadway debut, the cast has been with this play since its Off Broadway debut at the Atlantic Theater in 2014 and subsequent extension at Second Stage (which is also behind this delayed transfer). The earthy Rispoli and the divine Colón-Zayas, in particular, are unimprovable in their tricky roles. But it is Henderson who, at Between Riverside and Crazy’s gravitational center, holds it all together. He’s a perfect combination of rent and controlled, and his deceptively natural star turn is the twisted, generous soul of the play.
2014 | Off-Broadway |
Atlantic Theater Production Off-Broadway |
2015 | Off-Broadway |
Second Stage Theatre Production Off-Broadway |
2022 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2023 | Drama League Awards | Distinguished Performance Award | Stephen McKinley Henderson |
2023 | Tony Awards | Best Actor in a Leading Role in a Play | Stephen McKinley Henderson |
2023 | Tony Awards | Best Play | Between Riverside and Crazy |
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