Everybody's favorite ghost-with-the-most has finally made it to Broadway. Beetlejuice appears on stage in this hilarious new musical that subverts all of Broadway's conventions. Based on Tim Burton's classic, other-worldly film, this hilarious new musical is an absolute killer.
Beetlejuice tells the story of a strange and unusual teenager whose whole life is upended when she meets a recently deceased couple in her father's new house. Then, when a dastardly demon with a thing for stripes wants to use her for his own nefarious purposes, she has to figure out what is truly important. With an irreverent book, an astonishing set, and a score that will have you tapping your toes long after you’ve shuffled off this mortal coil, Beetlejuice is musical unlike anything you will see in this world (or the next).
And under its uproarious surface (six feet under, to be exact), it’s a remarkably touching show about family, love, and making the most of every Day-O!
Whatever else it may or may not be, Beetlejuice is spectacularly weird. The best creative work in this musical adaptation of Tim Burton's 1988 film-about a pair of sweet ghosts trying to rid their house of its distasteful new inhabitants-has gone into its physical form: The designers come at it from all kinds of crazy angles. David Korins's haunted-house set seems to buckle in the middle and stretch at the edges; William Ivey Long's costumes are a batty vision of colors and patterns at war. There are magic tricks and giant worms and a starkly linear idea of the afterlife that contrasts well with the chaotic world of the living. If only so much of the rest of Beetlejuice were not a busy mess.
So with the adjusted book, audiences are now treated to this watered down, gussied up Beetlejuice. The production seesaws somewhat precariously between the dead Adam and Barbara, and the spots-the-dead Lydia. Adam and Barbara, sometimes throwing sheets over themselves to appear as traditional ghosts, seem to be fighting for attention with Lydia's wanting to resurrect her mother. All the while, the comically desperate Beetlejuice contrives to do his handwringing worst.
2018 | Washington, DC (Regional) |
Pre-Broadway Engagement at National Theatre Washington, DC (Regional) |
2019 | Broadway |
Original Broadway Production Broadway |
2022 | Broadway |
Broadway Return Broadway |
2022 | US Tour |
North American Tour US Tour |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2019 | Drama Desk Awards | Outstanding Book of a Musical | Scott Brown |
2019 | Drama Desk Awards | Outstanding Costume Design for a Musical | William Ivey Long |
2019 | Drama Desk Awards | Outstanding Featured Actress in a Musical | Leslie Kritzer |
2019 | Drama Desk Awards | Outstanding Projection Design | Peter Nigrini |
2019 | Drama Desk Awards | Outstanding Puppet Design | Michael Curry |
2019 | Drama Desk Awards | Outstanding Set Design for a Musical | David Kornins |
2019 | Drama Desk Awards | Outstanding Wig and Hair Design | Charles G. LaPointe |
2019 | Drama League Awards | Distinguished Performance Award | Alex Brightman |
2019 | Drama League Awards | Distinguished Performance Award | Leslie Kritzer |
2019 | Drama League Awards | Outstanding Production of a Broadway or Off-Broadway Musical | Beetlejuice |
2019 | Outer Critics Circle Awards | Outstanding Costume Design | William Ivey Long |
2019 | Outer Critics Circle Awards | Outstanding Featured Actress in a Musical | Leslie Kritzer |
2019 | Outer Critics Circle Awards | Outstanding Projection Design | Peter Nigrini |
2019 | Outer Critics Circle Awards | Outstanding Scenic Design | David Korins |
2019 | Theatre World Awards | Outstanding Broadway or Off-Broadway Debut Performance | Sophia Anne Caruso |
2019 | Tony Awards | Best Book of a Musical | Scott Brown |
2019 | Tony Awards | Best Costume Design of a Musical | William Ivey Long |
2019 | Tony Awards | Best Lighting Design of a Musical | Kenneth Posner |
2019 | Tony Awards | Best Musical | Beetlejuice |
2019 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Eddie Perfect |
2019 | Tony Awards | Best Performance by an Actor in a Leading Role in a Musical | Alex Brightman |
2019 | Tony Awards | Best Scenic Design of a Musical | David Korins |
2019 | Tony Awards | Best Sound Design of a Musical | Peter Hylenski |
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