Penelope Wilton (Downton Abbey, Ever Decreasing Circles) and Luke Evans (Beauty and the Beast, Nine Perfect Strangers) star in Marcelo Dos Santos’ hilarious new comedy Backstairs Billy, directed by Tony and Olivier award-winning director Michael Grandage.
1979. Inside Clarence House, The Queen Mother’s receptions are in full swing and the champagne is flowing. Guiding the proceedings is William ‘Billy’ Tallon, holder of the royal corgis and Her Majesty’s loyal servant.
Outside, strikes are bringing the country to its knees and Britain is on the verge of changing seismically under Margaret Thatcher. These two worlds are about to collide with dizzying consequences… Book your royal appointment today.
__Access Performances__
Captioned: 23rd November 7.30pm
Audio Described: 29th November 7.30pm
BSL: TBC
Grandage’s production has its pleasures. Wilton brilliantly humanises the Queen Mother: tough, beady and remorselessly self-centred beneath her soft, powdery exterior, stewing in genteel displeasure that she’s been sidelined since her husband’s death, and staving off loneliness with gin and pointless chit-chat. Evans is a myopically snobbish, flamboyantly entertaining Billy, with his wicked, gimlet-eyed twinkle and swan-like, gliding efficiency. It is difficult to imagine how it could all be done better. But I’m also not entirely sure why you’d bother.
There's something gleefully subversive about Dos Santos’s script and Grandage’s bouncy production, which makes it compelling. It’s harder-edged than the simple, ‘joyful comedy’ about an odd-couple friendship that it’s promoted as in the accompanying blurb. Sure, at one level, it does what you might expect from the glut of royal rehabilitation stories we’ve seen on TV and film. It has some great one-liners, gives us a roll call of colourfully eccentric or over-privileged people to laugh at… and there are actual corgis.
2023 | West End |
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