Assassins 1990

Hoy comparten cumpleaños los grandisimos compositores Stephen Sondheim y Andrew Lloyd Webber, sin los cuales el Teatro Musical no habria sido el mismo, y hacemos un repaso por sus carreras y, sobre todo, por las producciones que se han hecho en España de sus obras.

After seeing the new INTO THE WOODS movie twice over the holidays, I posted on Twitter about how two of the songs had stuck with me. After a tweet conversation, my BWW colleague Jeff Walker and I decided to put our heads together to try and come up with a list of Sondheim's most hummable tunes. Despite not discussing it beforehand, Jeff ended up picking songs from the 1960s and 70s, and I filled in the gaps with numbers from the 80s and 90s.

The feature film adaptation of Stephen Sondheim and James Lapine's beloved fairy tale musical INTO THE WOODS is coming to movie theaters nationwide on Christmas Day and BroadwayWorld celebrates the man behind the music and lyrics with a new series highlighting the work of the iconic composer and lyricist, finishing today with a look at his work in the 1990s and 2000s.

Theatre Rhinoceros presents the Bay Area Premiere of the Stephen Sondheim Musical ROAD SHOW, featuring Music and Lyrics by Stephen Sondheim and Book by John Weidman, and running today, January 2 - 19, 2014.

Theatre Rhinoceros presents the Bay Area Premiere of the Stephen Sondheim Musical ROAD SHOW, featuring Music and Lyrics by Stephen Sondheim and Book by John Weidman, and running January 2 - 19, 2014

The Dramatists Guild of America presents its In the Room series, broadcasting archived audio, unheard by the public since their original recording. In the Room features some of the most influential and celebrated playwrights, composers and lyricists in American theatre, sharing their insight to craft, process and personal stories behind creating some of their most celebrated work. Featured this week is a vintage interview with theatre legend Stephen Sondheim as he chats about lyrics back in 1971.

Composer and lyricist Stephen Sondheim, widely considered the most influential artist working in American musical theater over the past half-century, will visit Indiana University in April at the invitation of IU's Department of Theatre and Drama.

Composer and lyricist Stephen Sondheim, widely considered the most influential artist working in American musical theater over the past half-century, will visit Indiana University in April at the invitation of IU's Department of Theatre and Drama.

On March 12, 2009 at 7:00 p.m., The Collegiate Chorale appears with The New York City Opera Orchestra at the newly renovated Alice Tully Hall in a performance of Kurt Weill and Ira Gershwin's 1945 Broadway operetta The Firebrand of Florence. The performance, led by guest conductor Ted Sperling, stars baritone Nathan Gunn, soprano Anna Christy, baritone Terrence Mann, and soprano Victoria Clark. Krysty Swann, David Pittu and Patrick Goss complete the cast, and narration will be provided by Stage Director Roger Rees. Boasting a score by Kurt Weill, lyrics by Ira Gershwin, and a book by playwright and screenwriter Edwin Justus Mayer, The Firebrand of Florence had a short run on Broadway in 1945. The work was subsequently not heard for over a half-century until three presentations - Ohio Light Opera (1999), the BBC Symphony Orchestra in London (2000) and the Radio Symphony Orchestra in Vienna (2000) - shed new light on the relatively obscure work. The performances were not only accepted, but widely acclaimed, thus giving hope for a new life in a new century. Variety's theater critic Steven Suskin says 'I have long believed that Firebrand in concert should be a dazzling delight.' Benvenuto Cellini, the great Florentine artist, is sentenced to hang, but he is pardoned when the duke realizes that he has not completed a previously commissioned sculpture. Freed, he is able to turn his attention to his favorite model (and object of his affections), Angela. The Duke also is interested in Angela. In a typical operetta plot, Cellini swashbuckles around the stage, keeping the Duke away from Angela, keeping himself away from the Duchess, and escaping yet another death sentence by fleeing to Paris, as the end of the show recapitulates the beginning.

On March 12, 2009 at 7:00 p.m., The Collegiate Chorale appears with The New York City Opera Orchestra at the newly renovated Alice Tully Hall in a performance of Kurt Weill and Ira Gershwin's 1945 Broadway operetta The Firebrand of Florence. The performance, led by guest conductor Ted Sperling, stars baritone Nathan Gunn, soprano Anna Christy, baritone Terrence Mann, and soprano Victoria Clark. Krysty Swann, David Pittu and Patrick Goss complete the cast, and narration will be provided by Stage Director Roger Rees. Boasting a score by Kurt Weill, lyrics by Ira Gershwin, and a book by playwright and screenwriter Edwin Justus Mayer, The Firebrand of Florence had a short run on Broadway in 1945. The work was subsequently not heard for over a half-century until three presentations - Ohio Light Opera (1999), the BBC Symphony Orchestra in London (2000) and the Radio Symphony Orchestra in Vienna (2000) - shed new light on the relatively obscure work. The performances were not only accepted, but widely acclaimed, thus giving hope for a new life in a new century. Variety's theater critic Steven Suskin says 'I have long believed that Firebrand in concert should be a dazzling delight.' Benvenuto Cellini, the great Florentine artist, is sentenced to hang, but he is pardoned when the duke realizes that he has not completed a previously commissioned sculpture. Freed, he is able to turn his attention to his favorite model (and object of his affections), Angela. The Duke also is interested in Angela. In a typical operetta plot, Cellini swashbuckles around the stage, keeping the Duke away from Angela, keeping himself away from the Duchess, and escaping yet another death sentence by fleeing to Paris, as the end of the show recapitulates the beginning.