Michael R. Jackson's Pulitzer Prize-winning, blisteringly funny masterwork exposes the heart and soul of a young artist grappling with desires, identity, and instincts he both loves and loathes. Hell-bent on breaking free of his own self-perception, Usher wrestles with the thoughts in his head, brought to life on stage by a hilarious, straight-shooting ensemble. Bold and heartfelt in its truth-telling, A STRANGE LOOP is the big, Black, and queer-ass Great American Musical for all.
This review, minus a few obvious updates, is basically what I wrote about 'A Strange Loop' in 2019. Despite going on to win the Pulitzer Prize, the show has invoked some chat-room gossip that it 'doesn't belong on Broadway.' Yes, that's what they once said about 'Caroline, or Change,' 'Avenue Q,' 'Fun Home' and 'Hamilton' before they hit the big time. Not only does 'Loop' belong on Broadway, it is by far the best new musical to open during this very strange theater season.
A Strange Loop is profanely funny and courageously raw, but on a second viewing (I reviewed its world premiere Off Broadway in 2019), it's also claustrophobically fixated on the wounds of youth, a howl of rage at gay lookism, white gatekeepers, and toxic Christianity. All those targets deserve to be howled down to hell. But Jackson is 41 years old; his avatar is identified as 26. That's a telling gap, one that permits a rebel's outrage rather than a middle-aged artist's mellower view. The lack of self-awareness combined with merciless self-examination comes to a bathetic head when Thought #1 says, '[it's not about] Tyler or your parents or anybody else. And as scary as this world might seem, all of this ugliness ... this pain and anger...is about you. So how about you focus on yourself?' Which is rich after 90 minutes of Usher running screaming around his hall of mirrors.
2019 | Off-Broadway |
Playwrights Horizons World Premiere Off-Broadway |
2020 |
Woolly Mammoth Theatre Production |
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2022 | Broadway |
Original Broadway Production Broadway |
2023 | West End |
West End |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2022 | Drama Desk Awards | Outstanding Actor in a Musical | Jaquel Spivey |
2022 | Drama League Awards | Distinguished Performance Awards | L Morgan Lee |
2022 | Drama League Awards | Distinguished Performance Awards | Jaquel Spivey |
2022 | Drama League Awards | Outstanding Production of a Musical | A Strange Loop |
2022 | Outer Critics Circle Awards | Outstanding Actor in a Musical | Jaquel Spivey |
2022 | Tony Awards | Best Book of a Musical | Michael R. Jackson |
2022 | Tony Awards | Best Direction of a Musical | Stephen Brackett |
2022 | Tony Awards | Best Lighting Design of a Musical | Jen Schriever |
2022 | Tony Awards | Best Musical | A Strange Loop |
2022 | Tony Awards | Best Orchestrations | Charlie Rosen |
2022 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Michael R. Jackson |
2022 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Michael R. Jackson |
2022 | Tony Awards | Best Performance by an Actor in a Featured Role in a Musical | John-Andrew Morrison |
2022 | Tony Awards | Best Performance by an Actor in a Leading Role in a Musical | Jaquel Spivey |
2022 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | L Morgan Lee |
2022 | Tony Awards | Best Scenic Design of a Musical | Arnulfo Maldonado |
2022 | Tony Awards | Best Sound Design of a Musical | Drew Levy |
2021 | Theatre World Awards | Theatre World Awards | Jaquel Spivey |
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