Next to Normal is a contemporary musical that explores how one suburban household copes with crisis. With provocative lyrics, and an electrifying score of more than 30 original songs, Next to Normal shows how far two parents will go to keep themselves sane and their family's world intact.
And while I'll admit the loud, raucous and darkly-humored Feeling Electric was more to my personal taste ('Taking a semi-automatic and shooting as many popular kids as possible is really the only sane response to high school.'), the latest incarnation of Next To Normal - which has turned a 180 from being a musical about depression to one about a family's efforts to keep the disease from tearing them apart - is a far better musical. In fact, it's only the existence of a Broadway revival of Guys and Dolls that keeps Next To Normal from being the best written musical currently on Broadway; and having West Side Story around is all that keeps it from being the most daring.
When Next to Normal played at Off-Broadway's Second Stage last year, Brian Yorkey's book and lyrics lacked the character complexity necessary to tell his ambitious story satisfactorily. Yorkey, composer Tom Kitt, and director Michael Greif went back to work, and Washington, D.C.'s Arena Stage admirably gave the show a second chance. The well-received reworked version has now been brought to Broadway. There is improvement, particularly in Act 1, which gets more swiftly to its story and better fleshes out its characters. Some radical shifts in tone have also been addressed. Nevertheless, the show still fails to persuade.
2008 | Off-Broadway |
Original Off-Broadway Production Off-Broadway |
2009 | Broadway |
Original Broadway Production Broadway |
2010 | US Tour |
1st National Tour US Tour |
2010 | US Tour |
2nd National Tour US Tour |
2013 |
Weston Playhouse Production |
|
2020 | Washington, DC (Regional) |
Kennedy Center Broadway Center Stage Production Washington, DC (Regional) |
2024 | West End |
West End |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2010 | The Pulitzer Prize | The Pulitzer Prize for Drama | Tom Kitt |
2009 | BroadwayWorld Awards | Best Leading Actress in a Musical | Alice Ripley |
2009 | Tony Awards | Best Book of a Musical | Brian Yorkey |
2009 | Tony Awards | Best Direction of a Musical | Michael Greif |
2009 | Tony Awards | Best Lighting Design of a Musical | Kevin Adams |
2009 | Tony Awards | Best Musical | David Stone |
2009 | Tony Awards | Best Musical | Ellen Richard |
2009 | Tony Awards | Best Musical | Carole Rothman |
2009 | Tony Awards | Best Musical | Second Stage Theatre |
2009 | Tony Awards | Best Musical | Patrick Catullo |
2009 | Tony Awards | Best Musical | Barbara Whitman |
2009 | Tony Awards | Best Musical | James L. Nederlander |
2009 | Tony Awards | Best Orchestrations | Michael Starobin |
2009 | Tony Awards | Best Orchestrations | Tom Kitt |
2009 | Tony Awards | Best Orchestrations | Michael Starobin |
2009 | Tony Awards | Best Orchestrations | Tom Kitt |
2009 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Tom Kitt |
2009 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Brian Yorkey |
2009 | Tony Awards | Best Performance by an Actor in a Leading Role in a Musical | J. Robert Spencer |
2009 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Jennifer Damiano |
2009 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Alice Ripley |
2009 | Tony Awards | Best Scenic Design of a Musical | Mark Wendland |
2009 | Tony Awards | Best Sound Design of a Musical | Brian Ronan |
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