Breeding 2024 - Articles Page 14

The Greenhouse Theater Center, in association with The Marsh, presents the Chicago premiere of the off-Broadway hit THE MUSHROOM CURE, the true story of one man's attempt to treat his severe OCD with psychedelics.

Now onstage through Mother's Day (Sunday, May 12) in a much anticipated and gleefully subversive production from Nashville Opera, The Cradle Will Rock remains hard to define: It could be described as a work of art whose meaning, its very raison d'etre, can be bent to suit any conceivable justification. Variously, Blitzstein described his 1937 work as a 'play in music' or an 'opera for actors' and its history clearly paints it as either or even as both.

The Marsh Berkeley announces the extension of That Don Reed Show created by acclaimed comedian/playwright, Theatre Bay Area (TBA) 2018, 2017 nominee, and 2016 TBA winner Don Reed. Saturday Night Live said Don was "too white," while the network executive for In Living Color said he wasn't "black enough." So Don created That Don Reed Show-his own sketch variety show-bringing Bay Area audiences an evening of irreverent sketches, edgy stand-up, music, and moving drama.

Based on the true story of Mexican-American author and educator Tomas Rivera, Tomas and the Library Lady - the final offering of Nashville Children's Theatre's 2018-19 season - is told in both Spanish and English, and follows the son of migrant farm workers as he discovers a surprising world of stories inside his local library with support from a special librarian.

The Marsh San Francisco announces additional performances of Not a Genuine Black Man, the longest running solo show in San Francisco theater history by award-winning actor, playwright, and talk show host Brian Copeland. This funny, honest, and harrowing piece recounts the struggles Copeland faced growing up in what was declared one of the most racist suburbs in America.

Stage plays are meant to entertain and leave the audiences in complete awe. However, only a few would surely engage the audiences to review their morals and examine their convictions. Such is the Broadway musical 'Spring Awakening,' produced for the second time by the Ateneo Blue Repertory (blueREP).

The Greenhouse Theater Center today announced Adam Strauss has postponed his hit one-man show THE MUSHROOM CURE, originally scheduled for April 4 - May 5, 2019. The engagement has been rescheduled for May 9 - June 9, 2019.

Wayne Harris' award-winning, music-infused, spiritual, and uplifting Mother's Milk will return to The Marsh Berkeley. Original songs, traditional blues, and gospel classics come together to underscore an intricate and uplifting narrative on life, death, and the Baptist Church (not to mention the best recipe ever for banana pudding). Set against the background of the civil rights movement, a losing battle with breast cancer, and a slightly inebriated preacher, Mother's Milk tells the story of a young black man finding his way back home.

The Marsh San Francisco adds four free performances of Brian Copeland's The Waiting Period,due to ongoing support from a GoFundMe campaign and generous corporate contributions from The Handlery Hotel Union Square in San Francisco, and Fremont Bank and OSIsoft in San Leandro.

The Marsh San Francisco presents the World Premiere of Who Killed Sylvia Plath, written by award-winning playwright Lynne Kaufman and starring Lorri Holt. Poet Sylvia Plath returns to her burial place in West Yorkshire, England to view the fourth replacement of her tombstone. The previous ones have been defaced by feminists who chiseled off her married name, claiming it was Ted Hughes who caused Sylvia Plath's death. Did Hughes kill Plath? Was her suicide at age 30 a "good career move"? Would she do it again? And what does it say to us today?

This April, The Marsh San Francisco brings Paul Sussman's The Wrong Kind of Pessimism to The Marsh Discovery Series, a showcase for works under development. Humans have traded up their caves, tripled their life spans, written Ulysses, and gone to the moon. And along the way, melted the ice caps, oppressed the crap out of each other, and elected you-know-who. Are humans getting anywhere? From the first gentrification (sorry, Neanderthals) to the secrets of the genome, Sussman takes on (and smacks down) the big questions of progress, faith, and where it all ends in The Wrong Kind of Pessimism. Directed by Kenny Yun, The Wrong Kind of Pessimism will be presented April 27 -May 18, 2019 with performances at 5:00pm Saturdays at The Marsh San Francisco, 1062 Valencia St., San Francisco. For tickets ($25-$35 sliding scale Thursdays and Fridays; $30-$35 sliding scale Saturdays; $55 and $100 reserved) or more information, the public may visit www.themarsh.org or call The Marsh Box office at 415-282-3055 (open Monday through Friday, 1pm-4pm).

With its extension run virtually sold out, The Marsh San Francisco announces an additional extension of Border People, the newest solo show by award-winning actor and playwright Dan Hoyle, into June 2019. Based on Hoyle's conversations with immigrants, refugees, asylum seekers, and border crossers of all kinds, the show has been greeted with unanimous critical acclaim, earning the highest rating from the San Francisco Chronicle, noting "This is what it is to witness a master of his craft. Dan Hoyle is one of our theatrical gems," and praised the production as "A testament to the core-to-nerve ending commitment and courage" of those living on borders of any kind.

Red Bull Arts Detroit is announcing a calendar of free public programming for the year, initiating new series of readings, screenings, and discussions to accompany the 2019 fellowship and residency cycle.

The Marsh San Francisco presents work in progress performances of Uncertainty Principle, the newest solo show by award-winning actor and playwright Adam Strauss. In this latest work by the creator of The Mushroom Cure, Strauss grapples with the big questions.

The Marsh San Francisco announces the return of Not a Genuine Black Man, the longest running solo show in San Francisco theater history by award-winning actor, playwright, and talk show host Brian Copeland. This funny, honest, and harrowing piece recounts the struggles Copeland faced growing up in what was declared one of the most racist suburbs in America.

A captivating tale of a harrowing recovery, the hit solo show My Stroke of Luck will return to The Marsh Berkeley for a 2019 run. Not everyone knows that the average person loses 1.9 million brain cells every minute a stroke goes untreated, but Diane Barnes did.

The Greenhouse Theater Center, in association with The Marsh, is pleased to present the Chicago premiere of the off-Broadway hit THE MUSHROOM CURE, the true story of one man's attempt to treat his severe OCD with psychedelics. 

Spring is one of nature's greatest performances – a time of rebirth, renewed energy and dramatic transformations. For three consecutive nights, Monday, April 29 - Wednesday, May 1 at 8:00 p.m. ET on PBS (check local listings) and Facebook, Nature: American Spring LIVE presents the change from winter to spring in real time from iconic locations across America.

The Marsh Berkeley announces the extension of That Don Reed Show created by acclaimed comedian/playwright, Theatre Bay Area (TBA) 2018 nominee, and 2016 TBA winner Don Reed. Saturday Night Live said Don was "too white," while the network executive for In Living Color said he wasn't "black enough." So Don created That Don Reed Show-his own sketch variety show-bringing Bay Area audiences an evening of irreverent sketches, edgy stand-up, music, and moving drama. That Don Reed Show, currently scheduled to close March 10, will be extended March 23 - April 28, 2019 with performances 8:30pm Saturdays and 5:30pm Sundays at The Marsh Berkeley, 2120 Allston Way, Berkeley. For tickets ($20-$35 sliding scale, $55-$100 reserved) or more information, the public may visit www.themarsh.org or call The Marsh Box office at 415-282-3055 (open Monday through Friday, 1pm-4pm).

Awkward Conversations with Animals I've F*cked comes to the King's Head Theatre where it will push, prod and poke at the impermissible and the unmentionable. Following sell-out shows at Edinburgh Fringe, Awkward Productions present this critically-acclaimed, darkly comic production all about love, acceptance and boundaries.

The Marsh San Francisco announces the return of its 2017 hit, The Mushroom Cure by Adam Strauss. Inspired by a scientific study that hallucinogenic mushrooms may cure obsessive-compulsive disorder (OCD), Strauss embarked on a program of vigilante psychopharmacology. The true tale of Strauss' hilarious, harrowing, and heartrending attempts to treat his debilitating OCD with psychedelics was an Off-Broadway hit, where it was named Critics' Pick by Time Out New York and hailed by The New York Times as "mining a great deal of laughter from disabling pain" before moving to San Francisco for an extended run. The Mushroom Cure will be presented March 16 - 30, 2019 with performances 8:30pm Saturdays and 5:30pm Sundays at The Marsh San Francisco, 1062 Valencia St., San Francisco. For tickets ($20-$35 sliding scale, $55-$100 reserved), the public may visit www.themarsh.org or call The Marsh box office at 415-282-3055 (open Monday through Friday, 1pm-4pm).

The Marsh San Francisco presents work in progress performances of Uncertainty Principle, the newest solo show by award-winning actor and playwright Adam Strauss. In this latest work by the creator of The Mushroom Cure, Strauss grapples with the big questions.

Powerful pianists, singing storytellers, swinging big bands, a beat scientist and some of the baddest ensembles on the jazz scene make up the First Wave of artists announced today for the 65th edition of the Newport Jazz Festival presented by Natixis Investment Managers. Curated by Artistic Director Christian McBride, the Festival takes place August 2-4 at Fort Adams State Park and the International Tennis Hall of Fame at the Newport Casino.

The British Museum's new Asahi Shimbun display will explore the relationship between food, power and control through a focussed selection of objects. More food is being produced than ever before, but hunger remains one of the biggest threats to society today - in 2017, the United Nations estimated that around one in nine people around the world are undernourished. The Asahi Shimbun Displays Feeding history: the politics of food will place ancient objects alongside a contemporary sculpture to explore the issues surrounding the production and control of food resources throughout human history.