Somewhere in downtown Philadelphia, a down-and-out fighter named Rocky Balboa struggles to stay on his feet. But when the chance of a lifetime comes along, he takes his best shot at becoming a champion... and his last shot at finding first love.
The iconic underdog story Rocky has inspired an innovative new stage production, brought to extraordinary life by a five-time Tony Award-winning creative team, including director Alex Timbers (Peter and the Starcatcher), songwriting team Lynn Ahrens and Stephen Flaherty (Ragtime), and book writers Thomas Meehan (The Producers) and Sylvester Stallone (Rocky, the Oscar-winning Best Picture).
Both an adrenaline-infused spectacle and a surprising tale of blossoming romance between two lonely outsiders, Rocky is a visceral and heart-stopping theatrical experience for everyone brave enough to follow their dream.
The flow is also disrupted by all the new ballads, which attempt to psychologically probe Rocky and his girlfriend Adrian but end up being poorly integrated, musically weak and unintentionally ridiculous. Rocky, being an inarticulate individual, was not meant to burst into song. Hokey one-liners are also loaded into the script...While Andy Karl deserves credit for enduring so much physically as Rocky, he comes off as too clean cut to be credible in the role. As Adrian, Margo Seibert is stymied by her character being so undeveloped and makes little impression. In effect, 'Rocky' is the new 'Spider-Man,' a similarly flashy and misconceived spectacle-musical that exists mainly to showcase an elaborate fight sequence as its finale.
Something electric happens at the end of 'Rocky' that gets theatergoers on their feet and writers scuttling for exclamation points: A boxing ring descends from the rafters, then glides into the orchestra! There's hooks, punches and blood?-?and a Jumbotron! And then: 'Adriaaaaaaaan!' Director Alex Timbers ('Bloody Bloody Andrew Jackson') earns his keep right there. If you could win a Tony based on just 20 minutes, 'Rocky' would be a shoo-in. Problem is, that finale is preceded by an hour and a half of less thrilling moments...As the Italian Stallion, Karl follows the Stallone model?-?a big galoot with a heart of gold?-?but he makes it his own. He has a cool-cat ease and a warm, evocative singing voice. We believe in this irrepressible Rocky and his glass-half-full philosophy...He's well matched with Archie's cocky Apollo and Margo Seibert's Adrian, even though she isn't as pathetically lonely as the movie's semi-recluse.
2011 | New York |
Workshop New York |
2014 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2014 | Drama Desk Awards | Outstanding Actor in a Musical | Andy Karl |
2014 | Drama Desk Awards | Outstanding Choreography | Steven Hoggett |
2014 | Drama Desk Awards | Outstanding Choreography | Kelly Devine |
2014 | Drama Desk Awards | Outstanding Director of a Musical | Alex Timbers |
2014 | Drama Desk Awards | Outstanding Lighting Design | Christopher Akerlind |
2014 | Drama Desk Awards | Outstanding Musical | Rocky |
2014 | Drama Desk Awards | Outstanding Set Design | Christopher Barreca |
2014 | Drama Desk Awards | Outstanding Sound Design in a Musical | Peter Hylenski |
2014 | Drama League Awards | Distinguished Performance Award | Margo Seibert |
2014 | Drama League Awards | Distinguished Performance Award | Andy Karl |
2014 | Drama League Awards | Outstanding Production of a Broadway or Off-Broadway Musical | Rocky |
2014 | Outer Critics Circle Awards | Outstanding Actor in a Musical | Andy Karl |
2014 | Outer Critics Circle Awards | Outstanding Book of a Musical (Broadway of Off-Broadway) | Rocky |
2014 | Outer Critics Circle Awards | Outstanding Choreographer | Steven Hoggett |
2014 | Outer Critics Circle Awards | Outstanding Choreographer | Kelly Devine |
2014 | Outer Critics Circle Awards | Outstanding Director of a Musical | Alex Timbers |
2014 | Outer Critics Circle Awards | Outstanding New Broadway Musical | Rocky |
2014 | Outer Critics Circle Awards | Outstanding Set Design (Play or Musical) | Christopher Barreca |
2014 | Tony Awards | Best Choreography | Steven Hoggett |
2014 | Tony Awards | Best Choreography | Kelly Devine |
2014 | Tony Awards | Best Lighting Design of a Musical | Christopher Akerlind |
2014 | Tony Awards | Best Performance by an Actor in a Leading Role in a Musical | Andy Karl |
2014 | Tony Awards | Best Scenic Design of a Musical | Christopher Barreca |
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