700 SUNDAYS, an autobiographical journey, is an original two-act play in which Billy plays numerous characters that have influenced who he is today. It deals with his youth, growing up in the jazz world of Manhattan, his teenage years, and finally adulthood. It is about family and fate, loving and loss.
Billy Crystal was pronounced "The King of Broadway" by The New York Post for the Broadway debut of 700 SUNDAYS which, in its opening week on Broadway, broke the house record for highest weekly gross at the Broadhurst Theatre and then continued to top its own record every week. With a cumulative gross of over $21 million, 700 SUNDAYS set a record for the highest weekly grossing non-musical in Broadway history at that time ($1,061,689 for the week ending 5/22/05) and was one of the top ten grossing shows every single week of its run, despite playing only seven performances per week.
The show won the 2005 Tony Award for Special Theatrical Experience and both the 2005 Drama Desk and Outer Critics Circle Awards for Outstanding Solo Performance.
Following the Broadway production, Billy played sold-out limited engagements of 700 SUNDAYS in Toronto, Boston, Chicago, San Francisco and Los Angeles. Billy then took 700 SUNDAYS to Melbourne and Sydney, Australia, where both engagements sold out upon announcement and won the 2007 Helpmann Award for Best Special Event. In 2009, Billy brought the show back to the United States with engagements in six major cities: Washington, DC; Philadelphia; Dallas; Palm Beach; Miami; and Atlanta. This fall's Broadway engagement will mark the show's first return to New York since its Broadway debut.
It can't be said that Billy Crystal doesn't know his audience. They eat up his menu of Jews, jazz and baseball, wrapped in Catskills-inspired comedy and heartfelt Mom-and-Pop sentiment. Back on Broadway with 700 Sundays almost a decade after the solo stage memoir broke box office records and landed him a special Tony Award, Crystal again shows his gift for taking an Eisenhower-era childhood that was both ordinary and exceptional, and rendering it universal for a nostalgic public. Whether or not our experience overlaps with that of the hardworking performer, his family reminiscences strike chords.
With Mr. Crystal, jokes move quickly; everything else is slow. The show rambles for two-and-a-half easy-to-trim hours...At the show's heart, which is worn on its sleeve among other places, is an adoring portrait of his father, who died when Billy was 15...All the reverent stories don't add up to a flesh-and-blood character. Jack Crystal remains remote, larger than life, which may be where Mr. Crystal wants to keep him. It's the kind of show that you wish your son made about you.
2004 | Broadway |
Original Broadway Production Broadway |
2013 | Broadway |
Return Engagement [Broadway] Broadway |
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