One show on Broadway is making—and re-making—history every night.
The Tony Award-winning Best Musical 1776 has catapulted to blazing new life in a thrillingly new production, and New York Magazine/Vulture says, “it’s an absolute blast!” Suddenly, the songs, humor, and passion of this musical masterpiece soar as never before.
A glorious multiracial cast of female, transgender, and nonbinary actors portrays the fiery founders of this country, putting history in the hands of the humans who were left out the first time around—and the result is an epic show of passion, debate, and roof-raising musical fireworks. Experience “a 1776 worth celebrating!” (Variety) “It pulsates with energy and snaps with attitude.”
“AN ABSOLUTE BLAST. IT WINS YOU OVER IN MINUTES! I’m glad to have witnessed it. I want other people to witness it.” – James Frankie Thomas, New York Magazine
“FOUR STARS! YOU LEAVE THE PRODUCTION AMAZED!” – Adam Feldman, Time Out
“VERY FUNNY, WITH A JAUNTY AND TUNEFUL SCORE. A WIN FOR LIFE AND LIBERTY!” – Leah Greenblatt, Entertainment Weekly
“A 1776 WORTH CELEBRATING! It pulsates with energy and snaps with attitude.” – Frank Rizzo, Variety
In short, then, you have a revival that wants both to revive the material and blow it up, even though '1776″ hardly was a crude work of musical triumphalism. Sure, '1776″ is problematic, not unlike most cultural entities from 1969, but if that it was it wanted to foreground, the production needed to have better sense of the irony of bringing it back to our attention. As distinct, say, from supporting a new musical by people of color about the complexities of American history.
Underlining one's progressiveness a thousand times, as this '1776' does, will not actually convey it better; rather it turns characters into cutouts and distracts from the ideas it means to promote. The musical even shows us that. It's only when Adams stops yelling and starts plotting that he begins to turn the tide toward ratification. Just so, theater makers should have enough faith in the principles of equity and diversity to let them speak for themselves. Are they not, as someone once put it, self-evident?
1969 | Broadway |
Original Broadway Production Broadway |
1970 | US Tour |
National Tour US Tour |
1970 | West End |
London Production West End |
1970 | US Tour |
Bus and Truck Tour US Tour |
1997 | Broadway |
Roundabout Revival Broadway |
2007 | East Haddam, CT (Regional) |
Goodspeed Revival East Haddam, CT (Regional) |
2016 | Off-Broadway |
City Center Encores Concert Production Off-Broadway |
2022 | Broadway |
Roundabout Theatre Company Broadway Revival Broadway |
2023 | US Tour |
US Tour US Tour |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2023 | Drama League Awards | Outstanding Revival of a Musical | 1776 |
Videos