Chekhov's THREE SISTERS is the inspiration for this accomplished multi-discipline work from LA company Theatre Movement Bazaar. TRACK 3 sees time zones and locations in constant flux as we follow the sisters trapped and yearning for the mythical Moscow, doomed to remain out of reach. Physical theatre, dance, and music combine superbly to create an engaging 21st century retelling of this Victorian classic.
Caitlyn Conlin, Dylan Jones and Kendra Chell impress immediately as Irina, Masha and Olga - the eponymous heroes. Dancing with spoons, forever trying to escape the repetitive dance but each time staying put pining whenever they hear the announcement of the train to Moscow from Track 3. Instantly you know you are in for a very unexpected afternoon.
Irina's birthday party, and anniversary of the death of their father, is also a delight to watch - as the three sisters, brother Andre and two local soldiers seem to take part in a remarkable game of musical statues - ably choreographed by director Tina Kronis. Mark Skeens plays the intellectual Andre with remarkable fragility as the proud sisters and guests beg to learn at his feet.
There is superb support from the rest of the cast, particularly Elizabeth Vital as the scheming Natasha who marries and slowly destroys Andre, and with him whatever hope the sisters had of a future in Moscow. Mark Doerr also delivers a strong performance as Colonel Vershinin, the charming soldier destined to break Masha's heart.
Ellen McCartney's period costumes, all hair weaves and furs and linings, combine well with Richard Alger's set to deliver a feast for the eyes, despite the limitation of a fringe stage.
Whether you know the original or not, Track 3 stands on its own two feet. It is exactly the sort of unique production that the Fringe is all about.
"Track 3" runs at 1625 until August 24th at the Bedlam Theatre
This review was edited on August 14; the company are based in LA, not New York; and Colonel Vershinin breaks Masha's heart, not Olga's.
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