GUGGENHEIM ENTERTAINMENT AT 3BELOW

by Steve Murray - March 10, 2025

What did our critic think of HAPPY PLEASANT VALLEY: A SENIOR SEX SCANDAL MURDER MYSTERY MUSICAL at TheatreWorks Silicon Valley?...

by Steve Murray - March 09, 2025

What did our critic think of LILLIAS WHITE: DIVINE SASS, A TRIBUTE TO SARAH VAUGHAN at Feinstein's At The Nikko?...

by Kelly Rogers Flynt - March 02, 2025

JESUS CHRIST SUPERSTAR at Berkeley Playhouse hits all the right notes. With a song list among the hardest in musical theater canon, the show wows with multiple vocalists who make a statement of prowess. With a massive set, extraordinary lighting, and some blinged out costumes, the production goes bi...

by Steve Murray - March 01, 2025

What did our critic think of CLAYBOURNE ELDER: IF THE STARS WERE MINE at Feinstein's At The Nikko?...

by Steve Murray - February 21, 2025

What did our critic think of WASTE at Marin Theatre?...

by Steve Murray - February 20, 2025

Conor McPherson’s 2020 revitalized translation of Chekhov’s Uncle Vanya was hailed as a breath of fresh air and this production, featuring a stellar performance by Hugh Bonneville in the titular role, feels updated, and more humorous than previous incarnations.  The pace of the drama about the ennui...

by Jim Munson - February 16, 2025

What did our critic think of COOL BRITANNIA at San Francisco Ballet? BroadwayWorld reviews 'Cool Britannia' at San Francisco Ballet, a rewarding mixed rep program of contemporary ballets by British choreographers....

by Linda Hodges - February 15, 2025

What did our critic think of BACK TO THE FUTURE: THE MUSICAL at BroadwaySF?...

by Kelly Rogers Flynt - February 14, 2025

Without flash or bang, without glitter or glam, but with truth and beauty, THE HEART SELLERS will steal your heart. It is a simple story with a simple set, and only two actors, but the show makes an impact that will resonate for some time. Both laughter and tears flow freely in this magic mix of a s...

by Steve Murray - February 10, 2025

A whacky who-done-it is the subject of Nathan Tylutki’s one-man performance piece currently on the board at New Conservatory for a short run. Playing numerous characters, and including the use of recorded video mixed with the live performance, Tylutki attempts a gumshoe sleuth style ala Thin Man or ...