GELLERT AUDITORIUM

by Steve Murray - February 21, 2025

What did our critic think of WASTE at Marin Theatre?...

by Steve Murray - February 20, 2025

Conor McPherson’s 2020 revitalized translation of Chekhov’s Uncle Vanya was hailed as a breath of fresh air and this production, featuring a stellar performance by Hugh Bonneville in the titular role, feels updated, and more humorous than previous incarnations.  The pace of the drama about the ennui...

by Jim Munson - February 16, 2025

What did our critic think of COOL BRITANNIA at San Francisco Ballet? BroadwayWorld reviews 'Cool Britannia' at San Francisco Ballet, a rewarding mixed rep program of contemporary ballets by British choreographers....

by Linda Hodges - February 15, 2025

What did our critic think of BACK TO THE FUTURE: THE MUSICAL at BroadwaySF?...

by Kelly Rogers Flynt - February 14, 2025

Without flash or bang, without glitter or glam, but with truth and beauty, THE HEART SELLERS will steal your heart. It is a simple story with a simple set, and only two actors, but the show makes an impact that will resonate for some time. Both laughter and tears flow freely in this magic mix of a s...

by Steve Murray - February 10, 2025

A whacky who-done-it is the subject of Nathan Tylutki’s one-man performance piece currently on the board at New Conservatory for a short run. Playing numerous characters, and including the use of recorded video mixed with the live performance, Tylutki attempts a gumshoe sleuth style ala Thin Man or ...

by Steve Murray - February 07, 2025

Award-winning playwright Keiko Green’s surreal comedy is a sure-fire hit featuring a stellar cast, smart writing and absurd situations. Director Jesca Prudencio who helmed the 23 world premiere at the Old Globe once again directs this outrageous  story that involves time-travel, high school awkwardn...

by Steve Murray - February 06, 2025

Berkeley Rep’s World Premiere of Ali Benjamin’s coming of age story The Thing About Jellyfish is a tremendous technical achievement highlighted by an impressive lead performance by Matilda Lawler (HBO’s “Station Eleven” and “The Gilded Age,” The Ferryman on Broadway) in the role of Suzy. Prescient f...

by Jim Munson - January 27, 2025

The chance to see a classic full-length ballet for the first time is always a rare and welcome opportunity, so it’s especially exciting that San Francisco Ballet is kicking off its 2025 Repertory Season with Kenneth McMillan’s Manon, choreographed in 1974 and subsequently performed all over the worl...

by Steve Murray - January 27, 2025

The press release on this coupling promised “an evening of unparalleled artistry,” a very lofty intention indeed. But after a few numbers I tend to agree whole-heartedly – these two critically-acclaimed musicians put on a master class that at moments, took my breath away....