Trevor Nunn directs Ralph Fiennes in William Shakespeare's The Tempest as the third production of his electrifying season at the Theatre Royal Haymarket
Almost certainly Shakespeare’s last play, The Tempest can lay claim to being the first ever work of magic realism.
Marooned and left to die on a remote island, Prospero can command spirits, create apparitions and manipulate the elements. By using his magic, he assembles his enemies to take revenge on them, and in the process awakens in Miranda, his teenage daughter, her first experience of love. The theme of reconciliation gives immense emotional force to Shakespeare’s farewell to the stage.
Cheek by Jowl reunites with the Moscow Pushkin Drama Theatre on Francis Beaumont's outrageous dark comedy, The Knight of the Burning Pestle, hilarious and terrifying in its relevance to our times. Following its Paris and Moscow premieres, the production comes to London for performances at the Barbican - where Cheek by Jowl is an Artistic Associate, from 5 to 8 June with a press performance on 5 June.
Cheek by Jowl reunites with the Moscow Pushkin Drama Theatre on Francis Beaumont's outrageous dark comedy, The Knight of the Burning Pestle, hilarious and terrifying in its relevance to our times. Following its Paris and Moscow premieres, the production comes to London for performances at the Barbican - where Cheek by Jowl is an Artistic Associate, from 5 to 8 June with a press performance on 5 June.
Cheek by Jowl reunites with the Moscow Pushkin Drama Theatre on Francis Beaumont's outrageous dark comedy, The Knight of the Burning Pestle, hilarious and terrifying in its relevance to our times. Following its Paris and Moscow premieres, the production comes to London for performances at the Barbican - where Cheek by Jowl is an Artistic Associate, from 5 to 8 June with a press performance on 5 June.
In Shakespeare's 400th anniversary year, Cheek by Jowl is delighted to announce that Declan Donnellan and Nick Ormerod will return to the French language with a new production of Shakespeare's Pericles opening in Paris and then going on to perform in Europe in 2018. This follows their acclaimed French language production of Ubu Roi which performed worldwide from 2013- 2015.
Performance Space 122, an East Village contemporary performance hub, announces the co-chairs of their Give Performance Space campaign, which coincides with the renovation of their over 30-year home at 150 1st Avenue. Give Performance Space is a capacity campaign to launch Performance Space 122's growth as an organization with the goal of better serving the artists and audiences of New York City. The co-chairs are acclaimed actor, photographer and activist Alan Cumming; producer, writer and director Stella Schnabel and PS122 Board Vice President Charles L. Kerr, partner at international law office Morrison & Foerster.
Marin Shakespeare Company will present 'The Tempest' by William Shakespeare, as directed by Jon Tracy. The Tempest is a magical, mysterious exploration of revenge, forgiveness and the transitory nature of dreams.
Marin Shakespeare Company will present 'The Tempest' by William Shakespeare, as directed by Jon Tracy. The Tempest is a magical, mysterious exploration of revenge, forgiveness and the transitory nature of dreams.
Marin Shakespeare Company will present 'The Tempest' by William Shakespeare, as directed by Jon Tracy. The Tempest is a magical, mysterious exploration of revenge, forgiveness and the transitory nature of dreams.
Pioneer Theatre Company has announced its 2011-2012 season, which will include the blockbuster musical Man of La Mancha as the season closer, the popular family musical Annie during the holidays, and the Utah premiere of the 2010 Tony and Pulitzer Prize-winning musical Next to Normal to open the season.
Noted director Robert Lepage makes his Met debut with a technologically innovative new production of Hector Berlioz's masterpiece, La Damnation de Faust, opening on November 7. Music Director James Levine will conduct the first staging of the work at the Met since 1906, with Marcello Giordani in the title role, Susan Graham as Marguerite, and John Relyea as Méphistophélès.
The Met's acclaimed production of Puccini's Madama Butterfly, directed by the late Academy Award-winning film director Anthony Minghella, returns to the stage for twelve performances beginning Friday, October 24, 2008. Reprising their portrayals in the production this season are sopranos Patricia Racette and Cristina Gallardo-Domâs in the title role, tenors Roberto Aronica and Marcello Giordani as Pinkerton, and baritone Dwayne Croft as Sharpless. Patrick Summers conducts the opera for the first time at Met.
Noted director Robert Lepage makes his Met debut with a technologically innovative new production of Hector Berlioz's masterpiece, La Damnation de Faust, opening on November 7. Music Director James Levine will conduct the first staging of the work at the Met since 1906, with Marcello Giordani in the title role, Susan Graham as Marguerite, and John Relyea as Méphistophélès.
The Met's acclaimed production of Puccini's Madama Butterfly, directed by the late Academy Award-winning film director Anthony Minghella, returns to the stage for twelve performances beginning Friday, October 24, 2008. Reprising their portrayals in the production this season are sopranos Patricia Racette and Cristina Gallardo-Domâs in the title role, tenors Roberto Aronica and Marcello Giordani as Pinkerton, and baritone Dwayne Croft as Sharpless. Patrick Summers conducts the opera for the first time at Met.
Thanks to the generosity of one of its board members, the Metropolitan Opera announced today that a number of prime orchestra seats, usually $175 - $220, will be available for $30 for all nine performances of John Adams's Doctor Atomic. Agnes Varis, a managing director of the Met board, and her husband Karl Leichtman, have purchased $500,000 worth of some of the best orchestra seats for Doctor Atomic, so that they can be redistributed at this lower price.
Franco Zeffirelli's lavish production of Verdi's poignant masterpiece about love and sacrifice, La Traviata, returns to the Metropolitan Opera stage on October 20 for nine performances through November 20, 2008. Anja Harteros sings the title role for the first time at the Met.
Continuing its innovative use of electronic media to reach a global audience, the Metropolitan Opera introduces Met Player, a new subscription service that will make its extensive video and audio catalog of full-length performances available to the public for the first time online, and in exceptional, state-of-the-art quality. Beginning on October 22, 120 historic audio recordings and 50 full-length opera videos will be available during the first month of the new service, including over a dozen of the company's acclaimed The Met: Live in HD transmissions, known for their extraordinary sound and picture quality. New content, including HD productions and archival broadcasts, will be added monthly.
The Metropolitan Opera opens its 2008-09 season on September 22 with a gala performance that kicks off its 125th anniversary, starring Renée Fleming in three fully-staged scenes, including some of her most acclaimed portrayals. Costumes for Fleming have been specially created for each of the scenes in the Opening Night Gala by three of the world's legendary fashion designers: John Galliano, Christian Lacroix, and Karl Lagerfeld for Chanel.
Two of opera's leading sopranos - both acclaimed for their dramatic and vocal skills - sing the demanding title role in Donizetti's Lucia di Lammermoor for the first time at the Met this season. In the opening performance, October 3, 2008, Diana Damrau - who last season became the first soprano to achieve the feat of singing both leading soprano roles in Mozart's Die Zauberflote, Pamina and the Queen of the Night, in the same Met season - sings the role of Lucia for the first time in her career. Polish tenor Piotr Beczala is her beloved Edgardo in his Met role debut.
When Erwin Schrott took on the title role in Mozart's Don Giovanni last year at London's Royal Opera House, Covent Garden, The New York Times wrote: 'The surprise was the riveting Giovanni: the seductively handsome young Uruguayan bass Erwin Schrott, who boasts a strong, dusky voice and chiseled physique. Exuding charisma, he galvanized the audience with his unabashedly narcissistic portrayal.' Now Schrott, who sang the role when the Met toured Japan in 2006, is bringing his portrayal to the Met stage for the first time beginning Saturday, September 27.
Metropolitan Opera on SIRIUS Satellite Radio channel 78 launches its regular live broadcasts of the company's 2008-09 season with the Opening Night Gala starring Renée Fleming, which airs on Monday, September 22, 2008 at 6:30 p.m. The third season of Met Opera Radio on SIRIUS features four live broadcasts weekly as the Met celebrates its 125th anniversary with six new productions, including the company premiere of John Adams's Doctor Atomic, 18 revivals, and the season grand finale of Wagner's epic Ring cycle, conducted by Music Director James Levine.
The Metropolitan Opera opens its 2008-09 season on September 22 with a gala performance that kicks off its 125th anniversary, starring Renée Fleming in three fully-staged scenes, including some of her most acclaimed portrayals. Costumes for Fleming have been specially created for each of the scenes in the Opening Night Gala by three of the world's legendary fashion designers: John Galliano, Christian Lacroix, and Karl Lagerfeld for Chanel.
Tickets for the third season of The Met: Live in HD, the Metropolitan Opera's live transmissions in movie theaters around the world, go on sale to the general public on Friday August 22.
Tickets for the third season of The Met: Live in HD, the Metropolitan Opera's live transmissions in movie theaters around the world, go on sale to the general public on Friday August 22.
1910 | Broadway |
Broadway |
1916 | Broadway |
Broadway |
1945 | Broadway |
Broadway |
1945 | Broadway |
Broadway |
1974 | Off-Broadway |
Off-Broadway |
1981 | Off-Broadway |
Off-Broadway |
1989 | Off-Broadway |
Off-Broadway |
1991 | Off-Broadway |
Off-Broadway |
1995 | Off-Broadway |
Off-Broadway |
1995 | Broadway |
Broadway |
2008 | Off-Broadway |
Off-Broadway |
2011 | West End |
Theatre Royal Haymarket Company Production West End |
2015 | Off-Broadway |
Shakespeare in the Park Production Off-Broadway |
2018 | West End |
Iris Theatre's production West End |
2019 | Off-Broadway |
The Public Theater Mobile Unit Production Off-Broadway |
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