Mimi Lien is a designer of sets/environments for theater, dance, and opera. Arriving at set design from a background in architecture, her work often focuses on the interaction between audience/environment and object/performer. She is an artistic associate with Pig Iron Theatre Company, and co-founder of JACK, a performance/art space in Brooklyn. Recent work includes Signature Plays, John (Signature Theatre), War, Preludes (LCT3), The Oldest Boy (Lincoln Center), Black Mountain Songs (BAM/Brooklyn Youth Chorus), Appropriate (Mark Taper Forum), and An Octoroon (Soho Rep/TFANA). Mimi's designs for dance have been presented in the Netherlands, Russia, and Taiwan, and her stage designs have been exhibited in the Prague Quadrennial. Lien is a recipient of the Joan and Joseph F. Cullman Award for Extraordinary Creativity at Lincoln Center, Lucille Lortel Award, American Theatre Wing Hewes Design Award, LA Drama Critics Circle Award, Barrymore Award, OBIE Award for Sustained Excellence, and a 2015 MacArthur Fellowship.
Mimi Lien, Sweeney Todd: The Demon Barber of Fleet Street
Mimi Lien, Sweeney Todd
Mimi Lien, Fairview
Mimi Lien, Natasha, Pierre & The Great Comet of 1812
Mimi Lien, Natasha, Pierre and the Great Comet of 1812
Mimi Lien, Natasha, Pierre & The Great Comet of 1812
Mimi Lien, Signature Plays: Edward Albee's The Sandbox, María Irene Fornés' Drowning, and Adrienne Kennedy's Funnyhouse of a Negro
Mimi Lien, Natasha, Pierre & The Great Comet of 1812
Mimi LienJohn
Mimi Lien, John
Mimi Lien, John
Mimi Lien, An Octoroon
Mimi Lien, Natasha, Pierre and the Great Comet of 1812
Mimi Lien, The Whale
Mimi Lien, Natasha, Pierre and the Great Comet of 1812
Mimi Lien
Mimi Lien
Outstanding Scenic Design (Play or Musical) (Outer Critics Circle Awards) for Sweeney Todd: The Demon Barber of Fleet Street, Best Scenic Design of a Musical (Tony Awards) for Sweeney Todd, Outstanding Set Design of a Play (Drama Desk Awards) for Fairview, Best Scenic Design (BroadwayWorld Awards) for Natasha, Pierre & The Great Comet of 1812, Outstanding Set Design for a Musical (Drama Desk Awards) for Natasha, Pierre and the Great Comet of 1812, Outstanding Set Design (Play or Musical) (Outer Critics Circle Awards) for Natasha, Pierre & The Great Comet of 1812, Outstanding Scenic Design (The Lortels) for Signature Plays: Edward Albee's The Sandbox, María Irene Fornés' Drowning, and Adrienne Kennedy's Funnyhouse of a Negro, Best Scenic Design of a Musical (Tony Awards) for Natasha, Pierre & The Great Comet of 1812, Outstanding Set Design for a Play (Drama Desk Awards) for John, Outstanding Scenic Design (Play or Musical) (Outer Critics Circle Awards) for John, Outstanding Scenic Design (The Lortels) for John, Outstanding Set Design (Drama Desk Awards) for An Octoroon, Outstanding Scenic Design (The Lortels) for Natasha, Pierre and the Great Comet of 1812, Outstanding Set Design (Drama Desk Awards) for The Whale, Hewes Design Award (The Hewes Awards) for Natasha, Pierre and the Great Comet of 1812, Sustained Excellence of Set Design (Obie Awards) and Sustained Excellence of Set Design (Obie Awards).
Mimi Lien has received several awards for her work, including Best Scenic Design at the BroadwayWorld Awards for Natasha, Pierre & The Great Comet of 1812. She won Outstanding Set Design for a Musical at the Drama Desk Awards for the same production. Additionally, she was honored with the Outstanding Set Design (Play or Musical) at the Outer Critics Circle Awards, as well as the Best Scenic Design of a Musical at the Tony Awards, all for Natasha, Pierre & The Great Comet of 1812. Lien also received the Outstanding Scenic Design award from The Lortels for this production, the Hewes Design Award from The Hewes Awards, and was recognized with the Sustained Excellence of Set Design award at the Obie Awards.
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