Review: LOVE NEVER DIES IN CONCERT, Theatre Royal Drury Lane
Over a decade has passed since Love Never Dies, Andrew Lloyd Webber’s sequel to The Phantom Of The Opera, was an undoubted flop during its first (and last) London run so this week’s revival in concert is a welcome retrospective. Was it a victim of its own hype or is it just a bad show?
BWW Review: ROCKETS AND BLUE LIGHTS, National Theatre
Winsome Pinnock's new political play finally gets a full run at the National, after its Royal Exchange Theatre premiere was curtailed due to Covid. It's apt since Pinnock began work on the play, which won the 2018 Alfred Fagon Award, while on attachment with the National Theatre's New Work Department in 2016.
Photos: The National Theatre Presents ROCKETS AND BLUE LIGHTS
The National Theatre has released production images for Rockets and Blue Lights. Directed by Miranda Cromwell, the play was first staged at the Royal Exchange Theatre in Manchester before being cancelled due to Covid-19 and will now open in the Dorfman theatre from 25th August to 9th October 2021.
BWW Review: DEATH OF A SALESMAN, Piccadilly Theatre
Following a sold-out run at the Young Vic, Arthur Miller's Death of a Salesman has transferred to the West End and, with blistering direction from Marianne Elliott and Miranda Cromwell, it remains one of the standout shows of the year.
Photo Flash: New Photos of the West End Production of DEATH OF A SALESMAN
The West End transfer of the highly acclaimed Young Vic production of Arthur Miller's Death of a Salesman, produced by Elliott & Harper Productions and Cindy Tolan and starring Wendell Pierce and Sharon D Clarke began its run at the Piccadilly Theatre in London on Friday 24 October 2019, where it will run until 4 January 2020.
BWW Review: DEATH OF A SALESMAN, Young Vic
Seventy years on from its Broadway opening, Marianne Elliott and Miranda Cromwell present Arthur Miller's masterpiece afresh in an inspired, shattering revival. One key change - making the 1940s Loman family African-American - gives the play a whole new texture, while retaining its searing condemnation of the American Dream's false promises.