Photos: MAYBE HAPPY ENDING Red Carpet Arrivals
The best of Broadway came out to celebrate at the Belasco Theatre yesterday, where Maybe Happy Ending held its special gala performance. BroadwayWorld was there for the special night and you can check out photos from the starry guest arrivals below.
Review: Celebrate the Revival of COMPANY at Broadway Sacramento
Broadway Sacramento’s 2024 season is here and is opening up with Stephen Sondheim’s 1970 hit, Company. Following several Tony Award wins for its 2021 Broadway revival, Company is stopping in Sacramento this week as it closes its national tour. The book by George Furth has undergone some changes, while Sondheim’s signature sound continues to thrill audiences nationwide with recognizable songs such as “Being Alive.”
Interview: Matt Rodin Got Married, But Is Not Getting Married in COMPANY Every Night at the Pantages
Currently at the Pantages the national touring company of the reworked Company through August 18, 2024. Marianne Elliott directs the cast of Britney Coleman, Judy Mclane, Matt Bittner, Derrick Davis, Jessie Hooker-Bailey, Javier Ignacio, James Earl Jones II, Marina Kondo, Jhardon Dishon Milton, Matt Rodin, Emma Stratton, Jacob Dickey, Tyler Hardwick, David Socolar, Matthew Christian, Christopher DeAngelis, Kenneth Quinney Francoeur, CJ Greer, Elysia Jordan, Beth Stafford Laird, Emilie Renier and Christopher Henry Young. Matt Rodin, the actor with the wonderful motor-mouth singing the hundred-words-a-minute tune “Not Getting Married,” took some time between shows to answer a few of my queries.
Review: COMPANY at Hollywood Pantages Theatre
The production is entirely fused with the bluish glow of the cellphones which tether the characters together and, in many ways, the continued relevance of the themes of the piece shine through. Musings on connections and loneliness seem freshly pertinent as Bobbie flicks through voicemails alone in her tiny apartment.
Review: COMPANY at The Paramount Theatre
I’m about to commit a musical theater geek sin, Dear Readers, so get the torches and pitchforks ready. I don’t care for Stephen Sondheim’s show, “Company”. I appreciate it for what it is, but I think it rambles, and ultimately says not very much at all. Then along comes the revival of the show with a gender swap element, currently playing at the Paramount. And this new take did not help my appreciation, in fact it exasperates all the things I find problematic with the show and adds in a slew of new issues.
Review: COMPANY at Orpheum Theatre
What a mess – the characters I mean. Sondheim’s original Tony-winning play examines both the merit and harsh realities of relationships as seen through the perspective of a detached, intimacy avoiding individual. They’re all delightfully dysfunctional, their relationships messy, beautifully mirroring reality.
Review: COMPANY National Tour at the Denver Center
The breadth of Sondheim's work all have one thing in common: the thumbprint of the musical artist that is Stephen Sondheim. Once you see enough of his shows, however, you start to notice the diversity in the stories. West Side Story, A Funny Thing Happens on the Way to the Forum, and Sweeney Todd, just to name a few, are all vastly different tales. Add to the list another Sondheim classic, but told in a whole new way, and you have the revival of Company currently on its national tour and the latest show to make a stop at the Buell Theatre.
Review: COMPANY at Connor Palace
What did our critic think of COMPANY at Connor Palace? Stephen Sondheim is generally considered the most important composer/lyricist of the 20th century American musical theater. Many consider him to be the person who reinvented the genre.
Review: Gender-Swapped COMPANY Cleverly Reimagines Sondheim Show
More than 50 years after its original Broadway production, which had a Boston tryout at the Shubert Theatre, the Stephen Sondheim musical Company, with book by George Furth, had its third revival in 2021, in a sprightly, cleverly reimagined, gender-swapped production that won five Tony Awards including Best Revival of a Musical.
Review: COMPANY at Kennedy Center
Phone rings, door chimes, in comes a dazzling reimagined production of Stephen Sondheim’s and George Furth’s classic, COMPANY, to the Kennedy Center stage.
COMPANY to be Presented at the Benedum Center in April
The Broadway revival of Stephen Sondheim's and George Furth's COMPANY, winner of five 2022 Tony Awards including Best Musical Revival, will be on stage at the Benedum Center for eight performances. See how to purchase tickets.
Review: COMPANY at Fox Theatre, St. Louis
Company is a fun romp about looking for love in all the wrong places. Filled with great performances and delightful musical numbers, it is a relentless roller coaster ride of emotions whose themes of romance, sex, marriage, and divorce remain just a s relevant today as whenit debuted in 1970. our critic think of COMPANY at Fox Theatre, St. Louis?
Review: Gender-Swapped COMPANY Falls Flat at the Ohio Theatre Despite Genius Sondheim Score
Nominated for a record-setting 14 Tony Awards and winning 6 in the original production in 1970, Stephen Sondheim’s COMPANY was one of the first musicals to deal with contemporary dating, marriage, and divorce. Originally played by a male lead, Director Marianne Elliott (with approval from Sondheim) decided to swap genders in the second West End revival in 2018, and Bobby then became Bobbie.