Photos: First Look At Audra McDonald In GYPSY On Broadway
The revival of GYPSY beginning previews on Broadway tonight, Thursday, November 21 at the newly renovated Majestic Theatre. The production has released its official first look at Tony Award-winner Audra McDonald as 'Mama' Rose Hovick and Joy Woods in the title role. See the photos!
Video: Audra McDonald Shares Her Take on Mama Rose in GYPSY
Audra McDonald is sharing some insights into how she thinks of the character of Mama Rose. The Tony-winning performer will be taking on the iconic role in Gypsy beginning in November and McDonald visited Good Morning America to talk about the show and give audiences an idea of what they can expect.
GYPSY Casts Rescue Dogs in the Role of 'Chowsie'
The Broadway revival of Gypsy has announced the furry friends who will be taking the stage in the role of 'Chowsie'. Tana June and Indy, two rescues from Homeward Bound in Elkhart, Indiana. Tana June will play the role, with Indy understudying. Meet the dogs here.
Video: Watch the Touring Cast of MJ THE MUSICAL Perform 'Beat It' on THE JENNIFER HUDSON SHOW
The cast of the national tour of MJ the Musical stopped by The Jennifer Hudson Show on Wednesday to perform the classic hit Beat It from the show. Created by Tony Award®-winning Director/ Choreographer Christopher Wheeldon and two-time Pulitzer Prize winner Lynn Nottage, MJ goes beyond the singular moves and Signature Sound of the star, offering a rare look at the creative mind and collaborative spirit that catapulted Michael Jackson into legendary status. Watch the performance now!
Review: Blanchard-Lemmons' FIRE SHUT UP Makes Another Splash at the Met
It was tough separating the opera from the event when FIRE SHUT UP IN MY BONES opened the first post-Covid pandemic season at the Met. Back then, in September 2021, FIRE made history as the first opera by a Black composer, Terence Blanchard with his librettist Kasi Lemmons (based on the book by Charles M. Blow), to make its way to the Met stage. This week, it returned to show that contemporary opera can have “legs” on the big stage of the company.