Review: Celebrate the Revival of COMPANY at Broadway Sacramento
Broadway Sacramento’s 2024 season is here and is opening up with Stephen Sondheim’s 1970 hit, Company. Following several Tony Award wins for its 2021 Broadway revival, Company is stopping in Sacramento this week as it closes its national tour. The book by George Furth has undergone some changes, while Sondheim’s signature sound continues to thrill audiences nationwide with recognizable songs such as “Being Alive.”
AT THIS PERFORMANCE... Returns To The Green Room 42 This Month
AT THIS PERFORMANCE... returns to THE GREEN ROOM 42 on September 23, 2024, featuring Broadway understudies and standbys showcasing their talents. Join for an evening of performances from emerging stars.AT THIS PERFORMANCE… will return to The Green Room 42 featuring Standbys, Understudies and Alternates from The Outsiders; Hell's Kitchen; Suffs, Once Upon A Mattress; Cats: “The Jelicle Ball”; The Wiz; and Shucked.
Interview: Matt Rodin Got Married, But Is Not Getting Married in COMPANY Every Night at the Pantages
Currently at the Pantages the national touring company of the reworked Company through August 18, 2024. Marianne Elliott directs the cast of Britney Coleman, Judy Mclane, Matt Bittner, Derrick Davis, Jessie Hooker-Bailey, Javier Ignacio, James Earl Jones II, Marina Kondo, Jhardon Dishon Milton, Matt Rodin, Emma Stratton, Jacob Dickey, Tyler Hardwick, David Socolar, Matthew Christian, Christopher DeAngelis, Kenneth Quinney Francoeur, CJ Greer, Elysia Jordan, Beth Stafford Laird, Emilie Renier and Christopher Henry Young. Matt Rodin, the actor with the wonderful motor-mouth singing the hundred-words-a-minute tune “Not Getting Married,” took some time between shows to answer a few of my queries.
Review: COMPANY at Hollywood Pantages Theatre
The production is entirely fused with the bluish glow of the cellphones which tether the characters together and, in many ways, the continued relevance of the themes of the piece shine through. Musings on connections and loneliness seem freshly pertinent as Bobbie flicks through voicemails alone in her tiny apartment.
Review: COMPANY at The Paramount Theatre
I’m about to commit a musical theater geek sin, Dear Readers, so get the torches and pitchforks ready. I don’t care for Stephen Sondheim’s show, “Company”. I appreciate it for what it is, but I think it rambles, and ultimately says not very much at all. Then along comes the revival of the show with a gender swap element, currently playing at the Paramount. And this new take did not help my appreciation, in fact it exasperates all the things I find problematic with the show and adds in a slew of new issues.
AT THIS PERFORMANCE... to Return to Green Room 42 in July
AT THIS PERFORMANCE… returns to The Green Room 42 featuring Standbys, Understudies, and Alternates from Hell's Kitchen, Suffs, The Wiz, Water For Elephants, Cats: “the Jellicle Ball”, Back To The Future, and The Heart Of Rock And Roll.
Review: COMPANY at Orpheum Theatre
What a mess – the characters I mean. Sondheim’s original Tony-winning play examines both the merit and harsh realities of relationships as seen through the perspective of a detached, intimacy avoiding individual. They’re all delightfully dysfunctional, their relationships messy, beautifully mirroring reality.
Review: COMPANY National Tour at the Denver Center
The breadth of Sondheim's work all have one thing in common: the thumbprint of the musical artist that is Stephen Sondheim. Once you see enough of his shows, however, you start to notice the diversity in the stories. West Side Story, A Funny Thing Happens on the Way to the Forum, and Sweeney Todd, just to name a few, are all vastly different tales. Add to the list another Sondheim classic, but told in a whole new way, and you have the revival of Company currently on its national tour and the latest show to make a stop at the Buell Theatre.
Review: COMPANY at Connor Palace
What did our critic think of COMPANY at Connor Palace? Stephen Sondheim is generally considered the most important composer/lyricist of the 20th century American musical theater. Many consider him to be the person who reinvented the genre.