Adam Cork writes mainly for the stage, creating integrated music/sound scores embracing instrumental music, electronic music, sound design and song. His musical London Road (NT) won the 2011 Critics’ Circle Award for Best Musical. A film version was released in 2015.
Adam Cork, The Hunt
Adam Cork, Ink
Adam Cork, Travesties
Adam Cork, Travesties
Adam CorkKing Lear
Adam Cork, Anna Christie
Adam CorkKing Lear
Adam CorkKing Lear
Adam CorkA Lie of the Mind
Adam Cork, Enron
Adam Cork, Enron
Adam Cork, Red
Adam Cork, Enron
Adam Cork, Macbeth
Adam Cork, Macbeth
Adam Cork, Frost/Nixon
Adam CorkSuddenly Last Summer
Outstanding Sound Design of a Play (Drama Desk Awards) for The Hunt, Best Sound Design of a Play (Tony Awards) for Ink, Best Sound Design of a Play (Tony Awards) for Travesties, Best Sound Design (Olivier Awards) for Travesties, Best Designer (Evening Standard Awards) for King Lear, Best Designer (Evening Standard Awards) for Anna Christie, Best Sound Design (Olivier Awards) for King Lear, Best Sound Design (Olivier Awards) for King Lear, Outstanding Music in a Play (Drama Desk Awards) for A Lie of the Mind, Outstanding Sound Design in a Play (Drama Desk Awards) for Enron, Best Original Score (Music and/or Lyrics) Written for the Theatre (Tony Awards) for Enron, Best Sound Design of a Play (Tony Awards) for Red, Best Sound Design of a Play (Tony Awards) for Enron, Outstanding Sound Design (Drama Desk Awards) for Macbeth, Best Sound Design of a Play (Tony Awards) for Macbeth, Outstanding Music for a Play (Drama Desk Awards) for Frost/Nixon and Best Sound Design (Olivier Awards) for Suddenly Last Summer.
Adam Cork has received several prestigious awards, including: Best Designer (Evening Standard Awards) for Anna Christie, Best Designer (Evening Standard Awards) for King Lear, Best Sound Design (Olivier Awards) for King Lear, Best Sound Design (Olivier Awards) for King Lear, and Best Sound Design of a Play (Tony Awards) for Red.
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