The Private Struggle, Public Stage segment at this year’s Circle Theater Festival is a compelling showcase of all-female writers, directors, and lead performers, offering audiences a profound exploration of identity, personal challenges, and connection. Each of the three featured plays—Essentially Painless, Double Take, and Final Placement—centers on women's experiences, illuminating the intricacies of their inner lives and the societal hurdles they encounter.
Samantha Gray’s Essentially Painless stands out for its sharp humor and absurdist critique of modern healthcare, highlighting the frustrations women face in a male-dominated system. Bea Corkhill delivers a remarkable performance as "Girl," whose chaotic clinic visit exposes the maddening bureaucracy and misogyny that shape her reality. Archie Colville’s comedic timing adds to the mayhem, but it’s Gray’s writing—combining incisive social commentary with wit—that truly shines.
Following this is Double Take, written and directed by Allison Aube-Martin. This psychological drama explores themes of love, grief, and self-identity through the story of Heather (Jadé Elena Porciatti), a young author haunted by the ghost of her boyfriend’s deceased wife (Niamh de Brún). Aube-Martin’s script skillfully navigates how women confront the echoes of past relationships, while the female cast brings these complex emotions to life with nuanced performances. The play resonates deeply, reflecting the unique struggles women face regarding identity and emotional legacy.
Closing the segment is Ara Watson’s Final Placement, which offers a gripping look at the foster care system through the perspectives of two women. Maria Koronellou’s portrayal of Luellen James, a mother striving to regain custody of her child, is deeply moving, while Valentina Piombi’s Mary Hanson, a social worker, embodies the moral complexities of her profession. Watson’s script examines the heavy emotional labor that women navigate in both personal and professional realms, presenting a poignant reflection on justice, compassion, and the difficult choices they often confront.
With women writers, directors, and actors at the forefront, the Private Struggle, Public Stage segment celebrates female voices in theater. From the incisive satire of Essentially Painless to the emotional depth of Double Take and Final Placement, these plays underscore the richness of female-driven storytelling and the complexities of women's lives, resulting in a powerful series that resonates profoundly with audiences.
KINYOZI: A HAIR STORY (1/18/25-1/18/25)
The Flea Theater is at 20 Thomas Street, NY, NY, 10007, New York, NY.
KINYOZI: A HAIR STORY (1/18/25-1/18/25)
Queer Spooky Shorts 2024 (10/28/24-10/28/24)
Doric Wilson’s Street Theater (10/17/24-10/22/24)
Circle Theater Festival (10/12/24-11/2/24)
The Maids at Circle Theater Festival (10/12/24-11/2/24)
PVT Wars at Circle Theater Festival (10/12/24-11/2/24)
Shakespeare Unraveled at Circle Theater Festival (10/12/24-11/2/24)
Princess Hamlet (10/12/24-11/2/24)
Gidion’s Knot (10/12/24-11/2/24)
Videos
S.I.M.P.S - A New Musical
IRT Theater (1/24 - 2/2) COMEDY LIMITED TICKETS REMAIN NEW COMEDY NEW MUSICAL | ||
Piano Panties: A Cheeky Cabaret Show
Sid Gold’s Request Room (7/2 - 6/30) | ||
The Visit of Mother Moses
Hudson Guild Theater (2/4 - 2/8) | ||
Tartuffe
Stag & Lion Theatre (1/30 - 2/8) | ||
Void Main
cirqueSaw (1/8 - 1/26) | ||
THE DAY I LEARNED TO FLY
Canterbury Woods Performing Arts Center (1/17 - 2/9) | ||
The Conquest of Bread
NYU Skirball (5/1 - 5/1) | ||
Chaeyoung Park at The Morgan Library & Museum
Gilder Lehrman Hall, The Morgan Library & Museum (2/26 - 2/26) | ||
Baruch PAC presents percussionist Michael Yeung
Baruch Performing Arts Center (1/27 - 1/27) | ||
WAITRESS The Musical
John W. Engeman Theater (3/13 - 4/27) | ||
VIEW SHOWS ADD A SHOW |
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