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To the modern eye, English playwright N.C. Hunter's bittersweet 1951 Chekhovian drama, A Picture of Autumn, might be seen as a metaphor for his type of traditionally-crafted middle class post-war theatre that would soon give way to the angry young men who took over the British boards.
Director Gus Kaikkonen's warm, funny and touching production is mounted on set designer Charles Morgan's impressive rendering of a drawing room in the nearly 200 year old Winton Manor, which, like its occupants, shows signs of aging despite its stateliness.
One of the delights of the evening is that four well-seasoned actors take center stage for the main roles. Sir Charles Denham (a sweet, if oblivious Jonathan Hogan) seems content to live out the rest of his days in his 14-bedroom family mansion with his wife, Lady Margaret (a kind, sensible Jill Tanner) and older brother, Harry (zestful but absent-minded George Morfogen). Their needs are supposedly tended to by their aging, and somewhat dotty, nurse (adorable Barbara Eda-Young), but it's Lady Margaret who does the bulk of the housekeeping and cooking, and at her age just maneuvering her way through the spacious building is too exhausting.
While the plot does move slowly - and just when you may think the story is done, there's more - Hunter's elegant language and warm humor, and the lovely pathos provided by the sterling ensemble, make the evening worth savoring. And as the issue of how to best care for elderly parents is unlikely to go away soon, A Picture of Autumn will certainly hit home for many.
Photos by Richard Termine: Top: Jonathan Hogan and Jill Tanner; Bottom: Barbara Eda-Young and George Morfogen.
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