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WHITE GUY ON THE BUS Equity Principal Auditions - Passage Theatre Company Auditions

Posted December 1, 2015
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WHITE GUY ON THE BUS - Passage Theatre Company

WHITE GUY ON THE BUS - NJ EPA
Passage Theatre Company | Trenton, NJ

Date of Audition:
12/12/2015


Call Type
Equity Principal

Time(s)
Equity Principal Auditions
Saturday, December 12, 2015
9 AM to 5 PM
lunch 12:30 to 1:30

Contract
SPT
$309/wk plus health, pension, transportation

Location
Passage Theatre Offices
5 South Broad Street
Trenton, NJ 08608
(between Stockton and Montgomery)


Seeking
Equity actors for various roles.

These characters are highly verbal, used to engaging with big ideas and unwilling to back down from a fight.

see breakdown for more info.

Preparation
Please prepare a 2 minute monologue (or two contrasting 1 minute monologues).

Bring picture and resume.

Other Dates
Trenton, NJ rehearsals: April 12-May 4 (30 hrs/week rehearsal)
Trenton, NJ performances: May 5-May 22 (4-show performance week)
Possible Extension: May 26-May 29

Other
www.passagetheatre.org

ALL REHEARSALS AND PERFORMANCES ARE IN TRENTON, NEW JERSEY. Actors should be local to New Jersey or the Philadelphia area.

Personnel
Playwright: Bruce Graham
Director: Michelle Tattenbaum
Artistic Director: June Ballinger
Casting Director: Chelsea Adams (at EPA)

· A monitor will not be provided. The producer will run all aspects of this audition.

Appointments
AEA members email passagetheatrecasting@gmail.com. Equity Members without appointments will be seen as time permits.

Performers of all ethnic and racial background are encouraged to attend.

Always bring your Equity Membership Card to auditions.


Breakdown

These characters are highly verbal, used to engaging with big ideas and unwilling to back down from a fight.

Synopsis: A wealthy white businessman and a struggling black single mom ride the same bus week after week. As they get to know each other, the threads that tie them together tighten, catching them in a complex web of racial bias, moral ambiguity, and revenge. Bruce Graham’s fearless and incisive play takes a no-holds-barred look at hidden and not-so-hidden racism within us all.

Seeking:

RAY
late 40s-early 60s, Caucasian. Ray worked his way up to a life of luxury on Philadelphia's Main Line, but he is disenchanted with his corporate existence and ready to leave it all behind. For what, he doesn't know. He's a man searching for purpose, and when he finds it, he's driven to the point of self-destruction. Gentle and self-deprecating when we first meet him, he is also a master manipulator and capable of deep fury.

ROZ
late 40s-early 60s, Caucasian. Naturally elegant and disarmingly forthright, Roz always tells it like it is. She enjoys stirring the pot and sinks her teeth into an intellectual debate -- and sometimes her aggression gets away from her. Pragmatic and irreverent, but under it all, she is fueled by a giant heart and a desire to help people.

CHRISTOPHER
20s, Caucasian. An optimist, Christopher is a peacemaker by nature -- he often mediates the people around him. He's succinct, impulsive and charismatic. He's highly educated, which has produced in him an idealism that hasn't yet been beaten down by a world in which idealism holds little sway.

MOLLY
20s, Caucasian. Liberal, hopeful, a bit starry-eyed. She's smart as a whip -- smarter than she gets credit for -- but she's no shark, which means she's prone to getting eaten alive by people like Roz. She is making discoveries for the first time and has a tendency to regurgitate the politics of her social media feed.

SHATIQUE
20s-early 30s. African American. Ambitious and aspirational, she would do almost anything to give her son a better life. Her life hasn’t been easy so far, and the challenges have worn her down into a pragmatist, but she hasn't given up the fight -- it's just quieter than it might once have been. Steadfastly loyal.

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