Utah Shakespeare Festival | Cedar City, UT
Tuesday, September 24, 2024
1:00 PM (P)
LORT Rep
$1100 weekly minimum (LORT B) thru 6/29/25
$1144 weekly minimum (LORT B) from 6/30/25 - close
Equity chorus singers (Female characters) for Utah Shakespeare Festival's 2025 Season (See breakdown).
The only show with a chorus is A GENTLEMAN'S GUIDE TO LOVE AND MURDER, but please note that we cast in repertory, and therefore all performers will be in more than one show.
All roles will be understudied.
The Utah Shakespeare Festival is committed to diverse casting. We encourage all performers to participate regardless of age, race, ethnicity, gender-identity, sexual orientation, or disability. For productions where race or ethnicity is central to the shows' plot or themes, casting will reflect those requirements.
Please prepare 16-32 bars of a song that shows your range and vocal prowess. No pop songs, please. Also, please bring your headshot and resume stapled together.
Actors' Equity Association - Los Angeles
5636 Tujunga Ave
North Hollywood, CA 91601
Expected to attend:
John DiAntonio: Artistic Director
See breakdown for production specific personnel.
Contract 1: May 5, 2025 (first rehearsal) through September 6, 2025 (closing)
Contract 2: May 5, 2025 (first rehearsal) through October 4, 2025 (closing)
See breakdown for production specific dates.
ECC Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Notice: Audition Call Type: ECC
Utah Shakespeare Festival 2025 Season - LA ECC Singers (Female characters)
by William Shakespeare
Directed by Carolyn Howarth
Engelstad Shakespeare Theatre
Contract Dates: May 5 – September 6, 2025
Antony, a triumvir of Rome
Cleopatra, Queen of Egypt
Octavius Caesar, a triumvir of Rome
Octavia, sister to Caesar, later wife to Antony
Lepidus, a triumvir of Rome
Enobarbus, also called Domitius
Accompanying Antony:
Ventidius
Silius
Eros
Canidius
Scarus
Dercetus
Demetrius
Philo
A Schoolmaster
Attending on Cleopatra:
Charmian
Iras
Alexas
Mardian
Seleucus, Cleopatra’s treasurer
Diomedes
Accompanying Caesar:
Maecenas
Agrippa
Taurus
Thidias
Dolabella
Gallus
Proculeius
Sextus Pompeius, also called Pompey
Menas
Menecrates
Varrius
Messengers, Soldiers, Sentries, Guards, Soothsayer, Attendants, Boy, Captain, Egyptian, Countryman
by William Shakespeare
Directed by Beth Lopes
Engelstad Shakespeare Theatre
Contract dates: May 5 – September 6, 2025
Orlando, youngest son of Sir Rowland de Boys
Oliver, his elder brother
Jaques de Boys, brother to Orlando & Oliver
Adam, servant to Oliver and friend to Orlando
Dennis, servant to Oliver
Rosalind, daughter to Duke Senior
Celia, Rosalind’s cousin and daughter to Duke Frederick
Touchstone, a fool
Duke Frederick, the usurping duke
Charles, wrestler at Duke Frederick’s court
Le Beau, a courtier at Duke Frederick’s court
Duke Senior, the exiled duke, brother to Duke Frederick
Jaques, a lord attending on Duke Senior in exile
Amiens, a lord attending on Duke Senior in exile
Corin, a shepherd
Silvius, a young shepherd in love
Phoebe, a shepherdess
Audrey, a goat-keeper
William, a country youth in love with Audrey
Sir Oliver Martext, a parish priest
Hymen, god of marriage
Courtiers and Foresters
by William Shakespeare
Directed by John DiAntonio
Engelstad Shakespeare Theatre
Contract Dates: May 5 – September 6, 2025
Three Witches, the Weird Sisters
Duncan, king of Scotland
Malcolm, his elder son
Donalbain, his younger son
Macbeth, thane of Glamis
Lady Macbeth
Seyton, attendant to Macbeth
A Porter
Banquo, commander, with Macbeth, of Duncan’s army
Fleance, his son
Macduff, a Scottish noble
Lady Macduff
Their son
Lennox, a Scottish noble
Ross, a Scottish noble
Angus, a Scottish noble
Menteith, a Scottish noble
Caithness, a Scottish noble
Siward, commander of the English forces
Young Siward, his son
Three Murderers in Macbeth’s service
A Doctor, attending on Lady Macbeth
A Gentlewoman, attending on Lady Macbeth
A Captain, in Duncan’s army
An Old Man
A Doctor at the English court
Hecate
Apparitions, Messengers, Attendants, Lords, Thanes, Soldiers
Book & Lyrics by Robert L. Freedman, Music & Lyrics by Steven Lutvak
Based on a novel by Roy Horniman
Directed by Amanda Berg Wilson
Musical Direction by Brad Carroll
Choreography by Diana Dresser
Randall L. Jones Theatre
Contract dates: May 5 – October 4, 2025
NOTE: We are seeking traditional, legit-style, musical theatre singers for this production.
THE D’YSQUITH FAMILY (male-identifying, 30s – mid 50s). Vocal range: B2-F4. Skilled, Comedic, Superb grasp on British farce. Physical comedy and stamina. Is not necessarily a phenomenal singer but can carry a musical comedy without an ounce of hesitation. Doubles as the following range of characters from the same family, ranging from an off-kilter priest to a closeted bee enthusiast to a lowly custodian (each of them intrinsic “English types”):
Asquith D’Ysquith, Jr., a dandy
Lord Adlabert D’Ysquith, Eighth Earl of Highhurst
Reverend Lord Ezekiel D’Ysquith, a clergyman
Lord Adlabert D’Ysquith, Sr., an elderly banker
Henry D’Ysquith, a country squire
Lady Hyacinth D’Ysquith, a benefactress
Major Lord Bartholomew D’Ysquith, a bodybuilder
Lady Salome D’Ysquith Pumphrey, an actress
Chauncey D’Ysquith, a janitor.
MONTY NAVARRO (male-identifying, mid 20s-30s). Handsome and effortlessly charming, clever and charismatic, vulnerable and endearing, with a highly developed appreciation for life’s ironies. Monty is the engine of the plot; commands attention and draws the audience in. Discovers he is in line to become the Earl of Highhurst, and intends to kill off the family that stands in his way. While he is intent on killing off the entire family tree, he has a winning charm that would garner anybody’s trust. Excellent comedic timing, vocal variation, and physical skills. Vocal range: Legit Baritone. Bb2-Bb4 (w/strong head voice).
SIBELLA (female-identifying, 20s-mid 30s). Sexy, flirtatious, narcissistic, willful girl that Monty loves - calculating, and irresistible. A social climber, yes, but also truly loves Monty, and in the end would do anything to protect him. Tremendous wit and high style. Strong mover. Vocal range: Character mezzo, F#3 to F#5, belting not required.
PHOEBE (female-identifying, early 20s-early 30s). Beautiful, virtuous, forthright, romantic, comically earnest, with a backbone of steel. Monty’s young poised virtuous cousin (and potential wife). She is not your typical ingénue, though. Has a sense of irony and humor, in addition to a youthful innocence behind her sophistication. Vocal range: Coloratura soprano, range F#3 up to a high sustained C#6 with an optional high Eb6. Very flexible and agile. Also open to performers from a strong operatic background.
ENSEMBLE: PLEASE NOTE – The character assignments for each ensemble member are subject to change. Voice types: Legit soprano, Mezzo, Alto, Tenor, High/Low Baritones. All should have good to great movement/character physicality.
WOMAN #1: (female-identifying, 30s-40s). MISS SHINGLE, a Cockney housekeeper/governess who informs Monty that he indeed is a D’Ysquith. Storyteller. Also Doubles as Mourner; Tour Guide; Ancestral Portrait; Skater; Bridesmaid; Pub Owner's Wife; MRS. PEBWORTH; Phoebe's Maid; 3rd Newsboy; Tailor; Selina Chard (Servant); Flower Girl. Vocal range: D#3 to F#5.
WOMAN #2 (female-identifying, 30s-late 40s). LADY EUGENIA D'YSQUITH, an unhappily married countess. Overbearing and mean spirited at times, but comically so. Highly adept at the biting quip and the withering glare. Also Doubles as MISS HETHERINGTON and Flower Girl and 4TH NEWSBOY. Vocal range: Bb3-G5.
WOMAN #3 (female identifying, mid 20s-mid 30s). MISS BARLEY, an alluring artist model. Also Doubles as SIBELLA’S MAID, HYACINTH COLLEAGUE, PHOEBE’S MAID, HILDA. Vocal range: True soprano - Ab3-Db6.
MAN #1 (male-identifying, 20s-mid 30s). Appealing and attractive. TOM COPLEY (aka FARMER). Also Doubles as 2ND CLERK, HYACINTH COLLEAGUE, 2ND NEWSBOY, ACTOR, ANCESTRAL BUST, DR. PETTIBONE, and GUARD. Vocal range: High baritone with a strong top; solid F#2-G#4.
MAN #2 (male-identifying, early 30s-40s). A versatile and appealing character man. DETECTIVE PINCKEY, who has a featured number. Also Doubles as 1ST CLERK, PUB OWNER, MR. CROSS, 1ST NEWSBOY, 1ST ACTOR, PHYSICIAN, and 2ND ANCESTRAL BUST. Vocal range: Bass/Baritone, C#2 to G#4.
MAN #3 (male-identifying, mid 20s-40s). A character man. THE MAGISTRATE. Also Doubles as MR. GOODSALL, ACTOR, and MR. GORBY. THE MAGISTRATE has a featured number with DETECTIVE PINCKEY. Vocal range: True tenor. Ab2 – B4.
by Oscar Wilde
Directed by Rodney Lizcano
Randall L. Jones Theatre
Contract Dates: May 5 – October 4, 2025
John/Jack Worthing (male-identifying, 20s-30s). English upper class. Accent. The protagonist of the play, Jack is leading a double life. Astute and reserved. Deeply passionate towards Gwendolyn and equally annoyed by Algy.
Algernon Moncrief (male-identifying, 20s-30s). English upper class. Accent. Algy is charming, clever and ever so witty. Also leads a double life as Bunbury. Comedic with strong physical presence.
Lady Bracknell (female-identifying, 40s and above). English upper class. Rich RP accent. Powerful matriarch. Deep command of the language needed.
Gwendolyn Fairfax (female-identifying, 20s-30s). English upper class. Accent. A model and arbiter of high fashion and society. She is sophisticated and pretentious.
Cecily Cardew (female-identifying, 20s). English upper class. Accent. She is both inquisitive and naïve, but always certain of moral boundaries and rules of society. Has a biting wit when paired off with Gwendolyn.
Miss Prism (female-identifying, 40s and above). English middle class. Accent. Holds a high moral character; secretly has feelings for Rev. Chasuble? A fun character who can play both dignity and soft sexuality.
Rev. Canon Chasuble (male-identifying, 40s and above). English middle class. Accent. He’s a nervous, serious but tender-hearted fellow. Also has secret feelings towards Miss Prism.
Merriman/Lane (male-identifying, 20s-50s). English working class. Accent. Butler and serving man to both Jack and Algy. Deep comedic skills willing to play any age with the driest of wit and humor.
by Robert Harling
Directed by Melissa Maxwell
Randall L. Jones Theatre
Contract Dates: May 5 – October 4, 2025
All characters are female-identifying. All of them are witty, intelligent, and above all, real. Female-identifying actors of all races and ethnicities are encouraged to audition.
Truvy Jones (mid-40s). Salon owner; mom of twin boys, one of which still lives above the garage; down to earth; hungry for romance (husband seems emotionally distant); knows everyone’s business; peacemaker.
Annelle Dupuy-Desoto (early 20s). New to town; beauty shop assistant; nervous, quirky, self-conscious; starts out shy and awkward, not wanting others to know her history, but then becomes a born-again Christian; obsessed with crafts.
Clairee Belcher (60s). Widow of the former Mayor; the wealthy old Grande Dame; a gossipmonger; Ouiser’s long-time best friend; sports fan; sarcastic; loves to laugh and poke fun. Trying to reinvent or redefine self now that her husband has passed.
Ouiser Boudreaux (60s). A wealthy, loveable curmudgeon; perhaps the richest in the group, though you wouldn’t know it to look at her; not interested in change or adventure. She likes things the way they have always been. Acerbic but loveable. Clairee’s long-time best friend.
M’Lynn Eatenton (50s). A therapist and Shelby’s mother; Socially prominent career woman; regal/upscale in the way she carries herself; keeps things close to the vest, over-protective, concerned for Shelby’s health and displeased with the choices Shelby makes.
Shelby Eatenton-Latcherie (mid-20s). Nurse; diabetic; M’Lynn’s daughter; the “prettiest girl in town”; fiercely independent. Has a complicated relationship with her mother; often rebels just for the sake of rebellion.
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