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TWELFTH NIGHT Submission - Yale Repertory Theatre / Drama Productions Inc. Auditions

Posted June 13, 2018
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TWELFTH NIGHT - Yale Repertory Theatre / Drama Productions Inc.

TWELFTH NIGHT - NYC Appointments

Yale Repertory Theatre / Drama Productions Inc.


APPOINTMENTS

Appointment Auditions will be in NY in September, 2018.

CONTRACT

LORT Non-Rep $1,300/week.

SEEKING

Equity actors for various roles.

Yale Rep is committed to an inclusive casting policy and encourages all actors to audition regardless of an individual’s sex, race, color, religion, age, disability, status as a veteran, national or ethnic origin, sexual orientation, or gender identity or expression.

INSTRUCTIONS

For consideration, mail picture and resume.

SUBMIT TO

TARA RUBIN CASTING

ATTN: 12th NIGHT AEA SUBMISSION
200 W 41ST ST, STE 401
New York, NY 10036

PERSONNEL

Casting – Tara Rubin, Laura Schutzel

James Bundy, Artistic Director and Dean, Yale School of Drama

By William Shakespeare
Directed by Carl Cofield

OTHER DATES

First rehearsal: February 4, 2019.
First tech: March 7, 2019
First preview: March 15, 2019
Opening: March 21, 2019
Closing: April 6, 2019

OTHER

All roles at Yale Rep are understudied.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

BREAKDOWN

Separated from her twin brother in a shipwreck, Viola disguises herself as a man and falls in love with her new employer Orsino, who dotes on OIivia, who falls for Cesario, who’s really Viola. And that’s before Sebastian washes ashore in search of his missing sister. In director Carl Cofield’s vibrant Afrofuturist production, Shakespeare’s most wonderful romantic comedy brims with music and dances to the heartbeat of unrequited love.

Seeking: Actors representing a diversity of races and ethnicities for a music-inflected Afro-futurist production.

The role of Malvolio has been cast.

Viola/Cesario (mid 20’s – 30’s) An African, African-American, Afro-Carribean, or Afro-Latinx woman who is charming, witty, enjoys language and uses it to express a wide emotional range.

Olivia (mid 20’s – late 30’s) An African, African-American, Afro-Carribean, or Afro-Latinx countess, beautiful and rich. Graceful, regal, and expressive, she is adamant about not falling in love - until she meets Cesario.

Sebastian (mid 20’s -30’s) An African, African-American, Afro-Carribean, or Afro-Latinx man; Viola’s twin brother.

Maria (mid 30’s –mid 40’s) A woman of color. Olivia’s comedic gentlewoman. Clever, resourceful and in love with Sir Toby Belch.

Sir Toby Belch (40’s – 50’s) A man of color. Olivia’s riotous uncle. Falstaffian. A magnificent and
comedic wit.
Sir Andrew Aguecheek (30’s – 40’s) A man of any ethnicity. A foolish and comedic knight upon whom Sir Toby is sponging.

Orsino (30’s) African, African-American, Afro-Carribean, or Afro-Latinx Duke of Illyria. Handsome, poetic and mercurial, full of passion.

Feste (30’s -40’s) An African, African-American, Afro-Carribean, or Afro-Latinx man or woman, Olivia’s fool. Extremely witty, excellent singer and musician, and a strong mover. Could play an instrument.

Fabian (30’s) A man of color. Servant of Olivia who plots revenge against Malvolio.

Antonio/Sea Captain (50’s) A person of color; friend of Sebastian and Viola.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

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