TOROS - NYC EPA
Second Stage Theater | New York, NY Notice: Audition Call Type: EPA
Wednesday, April 26, 2023
9:30 AM - 5:30 PM (E)
Lunch 1:00 PM - 2:00 PM
LORT Non-Rep
$739 weekly minimum (LORT D)
Equity actors for roles in TOROS (See breakdown).
There are no Equity stage managerial positions available at this time.
Please prepare a contemporary monologue no more than 2 minutes in length. Also, please bring your headshot and resume stapled together.
Actors' Equity New York Audition Center 165 W 46th St
16th Fl
New York, NY 10036
Written By Danny Tejera
Directed by GT Upchurch
President and Artistic Director: Carole Rothman
Interim Executive Director: Lisa Post Casting: The Telsey Office – Karyn Casl and Charlie Hano
Expected to attend:
Jonathan Chang, Artistic Assistant
First rehearsal: June 27, 2023
First Preview: July 18, 2023
Opening: August 1, 2023
Closing: August 13, 2023
Maximum run through August 27, 2023
Rehearsals and performances will be indoors. These will be live performances with an audience.
OTHER
Venue: McGinn/Cazale Theater
EPA Procedures are in effect for this audition. An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination.
Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
Holding/Audition room information:
The maximum capacity in the holding room is: 80
The maximum capacity in the audition room is: 52
This play is in part about the experience of living across and between identities. As such, the playwright is open to many iterations of casting in regards to actors’ identities. We anticipate small rewrites that take into account each actors’ lived experience and unique identity. We encourage anyone who identifies with a multiethnic experience to audition for TORO and ANDREA.
JUAN, Male, mid/late 20s. Hispanic or part-Hispanic. Speaks some Spanish. An aspiring DJ. Confident, charismatic, quick. Controlling, strange, hot-tempered. Doesn't overthink things. A good businessman.
TORO, Male, mid/late 20s. Was popular in high school but has since become insecure. Conflict averse, a people-pleaser. Athletic, formerly a piano prodigy, hard-working. Ashamed, self-hating, self destructive. An over-thinker. (Piano and skateboard abilities, a plus.)
ANDREA, Female, mid/late 20s. Speaks some Spanish. Mellow, calm and confident - or at least is able to convincingly perform these traits. Secret streaks of neuroticism and eccentricity. A pot head. A kindergarten teacher.
CARL/TICA, Male, 60s, Juan’s dad. White. An American who has lived most of his life abroad. Friendly, Charismatic, Non-Threatening. Executive director of a real-estate consulting agency in Madrid. / A golden retriever. 80+ in dog years. Sad, dying, lonely, exhausted.
Videos
