THE SHARK IS BROKEN (BROADWAY) - NYC EPA
PRODUCING ORG TBD
SIGNUP INFO
Signups begin May 3, 11:45 am (EDT)
Ripley-Grier Studios (520)
520 8th Ave
New York, NY 10018-6507
Wed, May 10, 2023
10:00 AM to 6:00 PM (EDT)
Lunch 2:00 PM - 3:00 PM
Production (League)
The minimum base weekly salary for the positions being auditioned for is established by a collective bargaining agreement between The Broadway League Inc., on behalf of the above-named producer, and Actors' Equity Association. It is anticipated that the base weekly salary for each of the above-listed roles will range between a minimum of $2,439.0 per week (which equals an annualized base salary of $126,828) and a maximum of $3,000 per week (which equals an annualized base salary of $156,000).
Equity actors for roles in THE SHARK IS BROKEN (Broadway) (See breakdown).
Please prepare the sides which can be found at:
https://www.dropbox.com/scl/fo/gmidox1yxp6nqybhpzypc/h?dl=0&rlkey=880nwgydxvfxh4296ehekrh4v . Also, please bring your headshot and resume stapled together.
Producers: Sonia Friedman Productions, Scott Landis
Playwright: Ian Shaw and Joseph Nixon
Director: Guy Masterson
Casting: Jim Carnahan, Casting Director, Alexandre Bleau, Casting Director
Expected to attend:
Alexandre Bleau, Casting director
First Rehearsal: June 29, 2023
First Preview: July 25, 2023
Opening: August 10, 2023
Closing: January 1, 2023
EPA also on 5/11
OTHER
Theatre: John Golden Theatre
Please note: we are in the process of gradually ramping up Equity monitor presence at auditions held at venues other than the Equity audition center. This off-site audition will be facilitated by an Equity monitor.
An Equity monitor will be provided.
EPA Procedures are in effect for audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
Holding/Audition room information:
5/10
The maximum capacity in the holding room is: 43
The maximum capacity in the audition room is: 30
5/11
The maximum capacity in the holding room is: 33
The maximum capacity in the audition room is: 18
Robert Shaw: CAST - White, male, 47, 5’10. Great English actor renowned for his work in Shakespeare. Also a veteran of Pinter’s first few plays. Has recently started his American film career, notably in The Sting and The Taking of Pelham One Two Three. A heavy drinker and great raconteur.
https://en.wikipedia.org/wiki/Robert_Shaw_(actor) .
Richard Dreyfuss: White, male, 27, 5’5, Jewish. Beginning his film career and has ambitions of being a great stage actor. Incredible frustrated with being stuck with an overbudget, overscheduled shoot for a film that seems destined to flop.
https://en.wikipedia.org/wiki/Richard_Dreyfuss .
Roy Scheider: White, male, 42, 5’9. A former welterweight champion boxer. Has recently achieved success and an Oscar nomination in supporting roles. Much calmer than his two costars but none-the-less equally frustrated with the endless shoot.
https://en.wikipedia.org/wiki/Roy_Scheider .
Understudies for all 3 roles.
Videos
