THE PHANTOM OF THE OPERA (Prod Tour) - NYC ECC / Male Singers
Phantom Touring, LLC
AUDITION DATE
Thu, Nov 15, 2018
10:00 am (EDT)
Male Singers
CONTRACT
Production (League) $2095/week current min
SEEKING
For future replacements in the 4th National Tour (25th Anniversary Tour), Seeking male and female singers for all vocal chorus ensemble positions (tenors, baritones, basses, lyric and coloratura sopranos, mezzos and contraltos) and to understudy principals. See breakdown.
PREPARATION
Please be prepared to sing a 16 bars from legit musical theatre/standard opera or operetta repertoire, preferably in English. Do not sing pop or rock music. Please bring your book of music with you, in case you are asked for a second selection. An accompanist will be provided.
Please bring a picture and resume, STAPLED TOGETHER.
LOCATION
Pearl Studios NYC (519)
519 8th Ave
12th Fl
New York, NY 10018
PERSONNEL
Music by ANDREW LLOYD WEBBER
Lyrics by CHARLES HART
Additional Lyrics by RICHARD STILGOE
Book by RICHARD STILGOE & ANDREW LLOYD WEBBER
Based on the novel ‘Le Fantôme de l’Opéra’ by GASTON LEROUX
Orchestrations by DAVID CULLEN & ANDREW LLOYD WEBBER
Musical Supervisor: JOHN RIGBY
Choreography by SCOTT AMBLER
Directed by LAURENCE CONNOR
Production overseen by MATTHEW BOURNE & CAMERON MACKINTOSH
OTHER
Produced by Cameron Mackintosh and The Really Useful Theater Company in association with NETworks Tours
General Manager: Gentry & Assoc.
Casting: Tara Rubin Casting
ECC Procedures are in effect for this audition.
An Equity monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
Seeking male and female singers for all vocal chorus ensemble positions (tenors, baritones, basses, lyric and coloratura sopranos, mezzos and contraltos) and to understudy the following:
CHRISTING DAAE: 20s: beautiful young singer. Soprano voice that combines elements of classical and pop singing. Sings G below middle C to high E
THE PHANTOM: 30s – 40s: high baritone or tenor (with a strong low range) with a contemporary sound. Able to sustain high G# with ease in full voice and high C# in falsetto. Looking for a truly dynamic actor with excellent acting and singing ability.
RAOUL, VICOMTE de CHAGNY: 20s – 30s: dashing, handsome young aristocratic man who falls in love with Christine. Contemporary high baritone/tenor (2 octave range from A flat to A flat).
MONSIEURS FIRMIN (the hard money man – Baritone with high E/F) & ANDRE (charming with artistic temperament – Baritone: high G with ease): 30s – 50ish; the managers of the Paris Opera House. Trying to be elegant, they are slightly befuddled and bumbling. Need good instincts for stylish comedy.
CARLOTTA GIUDICELLI: 30s – 40s; the prima donna of The Paris Opera. A diva in every sense of the word. Coloratura soprano, to high E. Requires opera training.
MADAME GIRY: Late 30s – early 50s; the Opera’s ballet mistress. An ominous, stern, forbidding figure. Mezzo soprano to high B flat with no discernible break between head and chest
MEG GIRY: Late teens to early 20s; A young, petite ballet dancer with a strong mezzo soprano to G. Needs strong classical dance technique and excellent pointe work
UBALDO PIANGI: 30s – 50s; the opera’s leading tenor, Italian operatic tenor, companion to Carlotta. Sings to high C. Requires opera training.
BUQUET: MIDDLE aged to elderly “character man”. The head flyman of the Opera Populaire. Bass baritone but required to sing to E.
Women should be sopranos (lyric or coloratura), mezzo sopranos, or contraltos, with strong legit musical theatre or opera voices; a range of character players
Men should be strong legit musical theatre or opera tenors, baritones, or basses. Two of the basses in the chorus must sing to low F; a range of character players
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.
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