THE PHANTOM OF THE OPERA (Tour) - ECC/Singers
Cameron Mackintosh and The Really Useful Company | New York, NY
Date of Audition:
11/5/2015
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Call Type
Equity Chorus
Time(s)
Equity Chorus Call / Singers
Thursday, November 5, 2015
10 AM - Equity Male Singers
2 PM - Equity Female Singers
Contract
Production (League)
$1861/week current minimum
Location
Pearl Studios NYC 500
500 Eighth Avenue
(35th/36th Streets)
New York, NY 10018
12th floor
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Seeking
Equity singers for possible ensemble replacements in the currently running 25th Anniversary Tour Production.
See breakdown.
Preparation
Prepare 16 bars from legit musical theatre/standard opera or operetta repertoire, preferably in English. Do not sing pop or rock music. Bring your book of music with you, in case you are asked for a second selection; accompanist provided.
Bring a picture and resume, STAPLED TOGETHER.
Other Dates
Currently running on tour.
EPA: 11/4, 10am to 6pm, at Pearl 500 8th Ave.
ECC/Singers: 11/5, 10am men, 2pm women, at Pearl 500 8th Ave.
ECC/Dancers: 11/6, 10am men, 2pm women, at Pearl 500 8th Ave.
Personnel
Casting: Tara Rubin Casting
Produced by Cameron Mackintosh and The Really Useful Theater Company in association with NETworks Tours
See breakdown for full creative team listing.
• Chorus rules are in effect.
• A monitor will be provided.
Performers of all ethnic and racial background are encouraged to attend.
Always bring your Equity Membership Card to auditions.
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Breakdown
Creative Team:
Music by ANDREW LLOYD WEBBER
Lyrics by CHARLES HART
Additional Lyrics by RICHARD STILGOE
Book by RICHARD STILGOE & ANDREW LLOYD WEBBER
Based on the novel ‘Le Fantôme de l’Opéra’ by GASTON LEROUX
Orchestrations by DAVID CULLEN & ANDREW LLOYD WEBBER
Musical Supervisor: JOHN RIGBY
General Manager: Gentry & Assoc.
Casting: Tara Rubin Casting
Video & Projection Design by NINA DUNN for Knifedge
Sound Design by MICK POTTER
Lighting Design by PAULE CONSTABLE
Costume Design by MARIA BJÖRNSON
Set Design by PAUL BROWN
Choreography by SCOTT AMBLER
Directed by LAURENCE CONNOR
Production overseen by MATTHEW BOURNE & CAMERON MACKINTOSH
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Seeking for possible future replacements in the currently running 25th Anniversary Tour Production:
ENSEMBLE SINGERS:
Women should be sopranos (lyric or coloratura), mezzo sopranos, or contraltos, with strong legit musical theatre or opera voices; a range of character players
Men should be strong legit musical theatre or opera tenors, baritones, or basses. Two of the basses in the chorus must sing to low F; a range of character players
Seeking male and female singers for all vocal chorus ensemble positions (tenors, baritones, basses, lyric and coloratura sopranos, mezzos and contraltos) and to understudy the following:
CHRISTINE DAAE:
18-25. A beautiful lyric soprano. Soprano voice that combines elements of classical and pop singing. She sings G below middle C to high E.
THE PHANTOM:
30’s – 40s: high baritone or tenor (w/strong low range) with a contemporary sound. Able to sustain high G# with ease in full voice and high C# in falsetto. Looking for a truly dynamic actor with excellent acting and singing ability
RAOUL, VICOMTE de CHAGNY:
20’s-30’s: Young, dashing, handsome aristocratic man who falls in love with Christine. Contemporary high baritone/ tenor - 2 octave range from A flat to A flat.
MONSIEURS FIRMIN and ANDRE:
FIRMIN (the hard money man – Baritone with high E/F).
ANDRE (charming with artistic temperament – Baritone: high G with ease)
Both 30s-50: the managers of the Paris Opera House – both roles require good instincts for stylish comedy – they are elegant yet often slightly befuddled and bumbling.
CARLOTTA GIUDICELLI:
30s-40s; A middle aged Italian coloratura soprano to high E, the archetypal Diva – prima donna of the Paris Opera. Strong operatic singer with a good comic sense.
MADAME GIRY:
Late 30’s-50; Ballet Mistress of the Opera Populaire. An ominous, stern, forbidding figure. Mezzo soprano to high Bb with no discernible break between head and chest.
MEG GIRY:
Should convincingly play late teens-early 20s; A young petite ballet dancer with a strong mezzo soprano to G. Needs strong classical dance technique and excellent pointe work.
UBALDO PIANGI:
Late 30s-50; Archetypal middle aged Italian operatic tenor, companion to Carlotta. Range to top C. Requires opera training
BUQUET:
Middle aged to elderly “character man.” The head flyman of the Opera Populaire. Bass baritone but required to sing to E.
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