STONES IN HIS POCKETS - NYC Appointments
McCarter Theatre Center
APPOINTMENTS
NYC auditions expected to be held on an upcoming date TBD by APPOINTMENT ONLY
CONTRACT
LORT Non-Rep LORT C; theatre paying $950/week
SEEKING
Submissions for the following 2 roles only at this time:
CHARLIE CONLON: [mid-30s – mid 40’s]
JAKE QUINN: [late 20’s – late 30’s]
See breakdown for more info.
Seeking submissions from AEA members. AEA members must submit themselves directly in order to be considered via this posting (no agent or third-party submissions).
INSTRUCTIONS
For consideration, email or mail picture and resume ASAP.
SUBMIT TO
LAURA STANCZYK CASTING
124 WEST 30th ST
ROOM 204
ATTN: STONES IN HIS POCKETS
NEW YORK, NY 10001
PERSONNEL
Written by: Marie Jones
Director: Lindsay Posner
Casting: Laura Stanczyk Casting
OTHER DATES
First Rehearsal: December 12, 2017
First Preview: January 12, 2018
Opening: January 20, 2018
Closing: February 11, 2018
Possible Extension: February 18, 2018
OTHER
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
BREAKDOWN
NOTE: CHARLIE and JAKE play a cross-section of characters of all nationalities, ages, and idiosyncrasies, often switching between them with swift dexterity. These include, but are not limited to: an American starlet, a mild-mannered English director, a Cockney crew member, and an elderly Irishman. We are considering native UK actors as well as American actors with great ears and dialect work. Both actors must be transformational.
SEEKING:
CHARLIE CONLON: [mid-30s – mid 40’s] A local Irish extra on a Hollywood film set. A hangdog, who claims to be escaping the aftermath of a failed business venture and has great aspirations to get his own script made into a film. Eager, hapless, colorful and kind. Working class.
JAKE QUINN: [late 20’s – late 30’s] A local Irish extra on a Hollywood film set. Handsome, charismatic. A guy’s guy who exudes sexuality. Recently returned from America and is enthralled by the movie’s beautiful leading lady until it becomes clear that she only wants to use him to appropriate his accent. Deeply rooted in the community, passionate about the lives of his compatriots. Working class.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
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