Seven Roads Tour LLC | New York, NY
Tuesday, March 11, 2025
9:30 AM - 5:30 PM (E)
Lunch 1:00 PM - 2:00 PM
Touring Agreement
$2599 weekly minimum (Level 1)
Equity actors for roles in the Touring production of STEREOPHONIC (See breakdown). There are no Equity stage managerial positions available.
Please prepare a contemporary monologue under 2-minutes in length and bring your headshot and resume stapled together.
Sunlight Studios
321 W 44th St
Ste #202
New York, NY 10036
Holding room - Studio D - PLEASE BRING PHOTO ID
Written by David Adjmi
Directed by Daniel Aukin
Original Songs: Will Butler
Music Director: Justin Craig
Producers: Sue Wagner, John Johnson, Seaview, Sonia Friedman Productions, Linden Productions and Ashley Melone and Nick Mills
General Managers: Wagner Johnson Productions
Expected to attend:
Casting Directors: Alaine Alldaffer OR Lisa Donadio
First Rehearsal in NY: on or about August 25, 2025
Travel to Palm Desert, CA: on or about September 24, 2025
First Preview in Palm Desert, CA: on or about October 2, 2025
Opening in Seattle, WA: on or about October 8, 2025
End of Tour in Tampa, FL: on or about May 3, 2026
FYI - in Los Angeles, CA - December 8, 2025, to SAT January 3, 2026
Subject to change
EPA Procedures are in effect for this audition. An Equity Monitor will be provided.
Notice: Audition Call Type: EPA
STEREOPHONIC (Tour)
DIANA: American, white, mid-late 20s, she/her. One of the lead singers in the band. Diana has one of those remarkable voices that can break your heart. Plays piano, but not a virtuoso. Can seem like a rock goddess one minute and a CVS cashier the next — she has a genial ordinariness that belies the seismic musical and creative force she in fact is. She can be goofy and silly and fun, but ultimately, she is underestimated and underestimates herself — she doesn’t know how good she is and is locked in a codependent loop with Peter that she can’t seem to break. Until she does.
HOLLY: British, Black, early 30s, she/her. Piano and lead vocals. In the midst of a painful split from Reg and does everything she can to maintain her composure — though he will try her patience. She likes her champagne, chain smokes, and can be very silly and fun — it’s how she survives and endures. But she is fundamentally extremely shy and private for a rock star. Has an elegance, a surface coolness (she can be intimidating) but underneath she’s feeling increasingly lost.
PETER: American, white, mid-late 20s, he/him. Guitar and lead vocals. An innovator, great musician; possesses the raw magnetism of a rock star but is also a bit of a geek. Can come across as cool at times, but it’s a ruse — he’s sitting on an awful lot of unprocessed sadness. That said: he also knows how good he is. He wants more than anything to be appreciated for his contributions to the band - though his obsessive (and sometimes tone deaf) perfectionist salvos start to turn people against him.
SIMON: British, late 20s – early 30s, he/him, any ethnicity. Drums in the band. Proficient on the drums. He’s the dad of the band in a way — he often has to be the diplomat, holds things together. At turns he indulges but also chides the other band members, depending on what’s needed. He’s playful — fun, eccentric and somewhat flamboyant — but always with a dry English reserve. He’s a full on 70s rock star and looks the part but has a surprisingly aristocratic upper-crusty air.
REG: British, late 20s-early 30s, he/him, any ethnicity. Bass guitar in the band. Wounded, lovelorn, a bit childlike in his innocence. His drinking problem, exacerbated by the imminent breakup of his marriage, may threaten his position in the band. He can skew a bit somber and depressive until his spiritual transformation midway through the play. He reads as less aristocratic than the other Brits in the play.
GROVER: American, white, late 20s, he/him. The engineer who fudged his way into the job, but he’s not untalented. Nerdy, anxious, but determined to present as cool and competent. Desperate to impress Peter, whom he idolizes. A sweet, eager young man who over the course of the play tries to be more hardened and realpolitik because he thinks it’ll take him further.
CHARLIE: American, 20s, he/him, any ethnicity — an engineer. Laidback, good-natured, a little loopy, but incredibly good at his job. Not quite as ambitious as Grover but he’s lucky in life.
Videos
