Producing Org TBD
BREAK: 1:00 PM - 2:00 PM
Off Broadway
$26 per rehearsal hour (Periodic performance agreement)
$183 per performance (Periodic performance agreement)
Equity actors for roles in DON GIOVANNI (see breakdown).
Please prepare either a short lyrical aria or a short Broadway song classical in nature. Please bring your headshot and resume stapled together.
LDK Productions Studios
115 W 45th St, Ste 606, New York, NY 10036
STUDIO 1 Auditions; STUDIO 2 Holding Room
Producer: Mozart's Don Giovanni LLC
Director: Adam Levowitz
Music Dir: Sheela Ramesh
Gen Mgr: LDK Productions
EXPECTED TO ATTEND:
Casting Director: Cindi Rush - Cindi Rush Casting
Reh: 5/25
Open: 6/24 FOR 2 SHOWS/WEEK (MONDAY AND TUESDAY)
Close: 8/19
Two shows per week at the Cutting Room NYC
Monday and Tuesday eve Rehearsals 38 hrs/week at $26.00/hr
EPA Procedures are in effect for this audition.
An Equity Monitor will be provided.
Notice: Audition Call Type: EPA
DON GIOVANNI (Baritone, G2 – G4, 30s-40s) Male Presenting: Everyone loves the bad boy. A dangerously charismatic nobleman who lives for pleasure and power. Seductive, reckless, and unapologetic. Thrives on manipulation and charm but faces the consequences of his own making. Has a commanding presence and a baritone voice suited to Sondheim-esque storytelling — rich, expressive, and dexterous rather than pop-inflected.
LEPORELLO (Bass-Baritone, Bb2 – F4, 40s-70s) Male Presenting: Giovanni’s wry, street-smart servant who sees everything but often turns a blind eye. He wrestles with his complicity in Giovanni’s exploits. But this isn’t Giovanni’s story — it’s his. Leporello is the true high-energy lead, breaking the fourth wall to engage directly with the audience both during the performance and in a pre-show prologue. Has an effortless charm, razor-sharp wit, strong physical comedy instincts, and the ability to land a joke while carrying emotional weight. Has a classic Broadway baritone/tenor character voice, agile for fast-paced patter.
DONNA ANNA (Lyric Soprano, B3 – Bb5, opt D6, 20s-30s) Female Presenting: A woman on a mission. Fierce, determined, and unwilling to let tragedy define her. She is not a damsel in distress — she is a force of nature, demanding justice and refusing to be silenced. A powerful soprano with both dramatic fire and lyrical sensitivity.
DON OTTAVIO (Tenor, C4 – B5, 20s-30s) Male Presenting: Loyal to a fault. Deeply devoted to Anna but struggles to live up to her expectations. More heart than hero, he must decide whether love means protecting or proving himself. A lyrical tenor — either a classically trained operatic tenor or a rock tenor with a beautiful, clear upper register and expressive storytelling ability. More Steve Perry than Robert Plant.
DONNA ELVIRA (Lyric Soprano/Mezzo-Soprano, A3 – Bb5, 30s-40s) Female Presenting: She refuses to be dismissed. A noblewoman who has loved and lost Giovanni but refuses to let him define her. Equal parts passion and fury, she is determined to hold him accountable. A classically trained lyric or mezzo-soprano with range and fire — capable of both raw emotion and biting wit.
THE COMMANDER (Bass, D2 opt. E2 – E4, 50s-60s) Male Presenting: A father, a warrior, and an omen. Killed by Giovanni but never truly silenced. His presence looms large even in death. Requires a commanding bass voice with resonance and gravitas.
Male Swing #1 – Male Presenting: Covers Leporello, Don Ottavio
Male Swing #2 – Male Presenting: Covers Don Giovanni, The Commander
Female Swing #3 – Female Presenting: Covers Donna Anna, Donna Elvira, the Countess
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