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Breakdown
All shows in attendance are full productions in the New York Musical Theatre Festival (http://www.nymf.org) – with performances taking place in July, 2015. Exact performance dates and venues are still being finalized. Rehearsals for most shows are anticipated to begin on/after 6/7, and will be announced at a later date.
NOTE: below is the general info for the 5 shows being auditioned at this EPA. For role breakdowns of what is being sought, see each separate notice listed as 'NYMF Day 1 [name of show]' for that show's info.
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ACAPELLA THE MUSICAL
Author: Vynnie Meli
Compositions: The Acappella Company
Director: Lee Summers
Music Director: Evan Feist
Choreographer: TBD
Casting: Nicholas Petrovich
EPA Auditions: April 21st, 2015
Open Call: April 27th, 2015
Appointment Auditions: May 2015
First Reh: On or about June 8th, 2015
Opening: On or about July 7th, 2015
Closing: On or about July 14th, 2015
If you are unable to attend our EPA and want to be considered, please send your materials electronically to acappellathemusical@gmail.com.
NOTE: This piece is sung strictly acappella. Everyone considered must be able to read music. Any a cappella experience a plus.
SEEKING:
Jeremiah – Male, African American, to play early 20’s. Handsome, confident, warm, and easy to laugh but also introspective. Jeremiah grew up singing in the church choir of a small southern town. He was by his mother’s side through her illness, and her passing left him feeling lost. He lucked into a gig as a temporary replacement in a popular boy band and left town for a few months, which turned into a few years, leaving him disillusioned and questioning his path. He returns home just before leaving the country on an international tour and is surprised to find that not everyone greets him with open arms. Seeking a magnificent tenor gospel singer with rhythm and soul. Must also be an excellent actor.
Sarah - Female, African American, to play early 20’s. She has brains and beauty but is also solid, steadfast, & loyal. Sarah is the girl Jeremiah left behind. She was hurt by him but has since moved on. However, Jeremiah’s return stirs up old feelings. Seeking a strong, contemporary soprano. Must also be a solid, passionate actor.
Simon - Male, African American, to play early 20’s. Once a mischievous, lively kid, Simon has matured into a reliable, devoted man. He was Jeremiah’s childhood best friend but now feels betrayed and jealous of everything his buddy has accomplished without him. Seeking a soaring, spunky tenor with exceptional acting capability.
Aunt Leona - Female, African American, to play 50‘s. A spirited, strong, no-nonsense middle-aged woman who doesn’t suffer fools. Jeremiah’s mother’s sister loves her nephew unconditionally. She is a member of old gospel group. Seeking a sassy and strong alto singer and first-rate actor with wisdom and wit.
Mary - Female, to play 50’s – 60’s. A close friend of Leona’s. They have a lot of history with one another, like ‘Lucy’s Ethel Mertz’. She is scattered, fun, innocent yet flirtatious. Mary is easily impressed and more emotional that her dear friend. She is a member of Leona’s old gospel group. An excellent soprano with comedic chops. Any ethnicity.
Mr. Sanders - Male, African American, to play 60’s – 70’s. A quiet, cranky older man who only speaks when he has something to say. A member of Leona’s group. This track also plays the Homeless Man. Seeking a baritone/bass blues singer who can play both characters.
Vocal Ensemble – Seeking 8 males and females to provide the vocal accompaniment for the musical material in the show. Must be excellent singers who read music. A cappella experience a plus. Must be able to move. Seeking all ages and ethnicities
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DEEP LOVE: A GHOSTLY ROCK OPERA
Producer: Deep Love Opera, LLC
Book: Jon Peter Lewis, Garrett Sherwood, Ryan Hayes
Music and Lyrics: Ryan Hayes & Garrett Sherwood
Co-Directors: Jon Peter Lewis and Michael Rader
Music Director: Ben Mathews
Choreographer: Ray Mercer
General Manager: Suellen Vance
Casting Director: TBA
Rehearsals: on/after 6/9
Performances: 5-10 performances between July 7th – July 27th; exact dates TBA
IF UNABLE TO ATTEND EPA, YOU MAY SUBMIT ELECTRONICALLY TO:
DeepLoveOperaSubmissions@gmail.com
SYNOPSIS: a young widow struggles to meet the demands of her deceased lover’s undying love. Sweethearts become adversaries in pursuit of what they cannot live without. The story is entirely sung through. Music showcases various styles including: Pop, Classical, 90s Rock and the Blues.
SEEKING:
[CONSTANCE] Female, any ethnicity, to play 20s. The lonely widow of Old Bones who yearns to return to a time of innocence. Indecisive and eager to please, she finds new love when she meets Friedrich and becomes entangled in a love triangle as she struggles to meet the demands of Old Bones’ undying love. Soprano with Alto notes; Pop/Classical Style PRINCIPAL. THIS ROLE IS CAST - SEEKING FUTURE REPLACEMENTS
[OLD BONES] Male, any ethnicity, to play 20s-30s. The selfish and manipulative ghost of Constance’s dead lover who has pledged to watch over and protect Constance beyond the grave. He reveals his true colors when she finds new love, however, and he carelessly destroys all that she loves as he tires to win her back. Baritone-Tenor Low F to High C; sings in Pop/Classical/Blues Styles PRINCIPAL. THIS ROLE IS CAST - SEEKING FUTURE REPLACEMENTS
[FRIEDRICH] Male, any ethnicity, to play 20s-30s. Handsome and impetuous, Friedrich spends much of his spare time womanizing. Inwardly he desires to find something meaningful, however, and he sees Constance as the object that can fill the void. He tragically believes that Constance will be true to her namesake. Baritone; 90s rock style PRINCIPAL. THIS ROLE IS CAST - SEEKING FUTURE REPLACEMENTS
[FLORENCE] Female, any ethnicity, to play 20s-30s. The beautiful and jealous ex-lover of Friedrich. Through her previous encounters with Friedrich, Florence feels that she knows him best and that his feelings for Constance are fleeting. Mezzo-Soprano with Alto notes, style is Pop. THIS ROLE IS CAST - SEEKING FUTURE REPLACEMENTS
[DANCERS/ENSEMBLE] All genders, ages, and ethnicities to play various characters throughout the show. No singing required. Must be strong in contemporary modern styles
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FOOLERIE
IF UNABLE TO ATTEND EPA, SUBMIT PICTURE/RESUME TO:
MICHAEL CASSARA CASTING
333 W. 39TH STREET - SUITE #800
NEW YORK, NY 10018
ATTN: FOOLERIE
or submissions@michaelcassara.net
Producer: The Foolish Company, LLC
Book/Music/Lyrics: Santino DeAngelo
Director: Tralen Doler
Music Director: TBA
General Manager: Corey Gosselin/Your Theatrics
Casting Director: Michael Cassara, CSA
Rehearsals: on/after 6/1/15
Performances in July (Dates Pending)
SYNOPSIS: Set upon an Elizabethan stage, this is the long-awaited night of "The Fooling”, a whimsical rite of passage for all Elizabethan fools. Tonight the audience will meet Clown, the bawdy master-fool of the age, and his apprentice-fool, Student, an idealistic youth. Together they have been assigned to a retelling of The Comedies of Shakespeare, but when it's discovered that neither know anything of their subject, the bard's most iconic characters (and the audience) get caught up in this wickedly-smart satire about the true nature of art and comedy.
SEEKING:
[CLOWN] mid 40s - mid 60s, male, any ethnicity. A bawdy, masterful comedian that has found much success in his brand of low comedy and pandering to his audiences. Quick on his feet and fun-loving with a proclivity towards sexual innuendo, cross-dressing, and slapstick. Strong, MT baritone/tenor, must be able to vocally carry a show.
[STUDENT] mid 20s, male, any ethnicity. A particularly talented and intelligent young comedian who is drawn to the potential of foolerie as a vehicle to critique and improve society. While his idealism can be uncompromising, it is born out of a deep love for his audiences and a kind of optimism for humankind. Strong, MT Tenor, must be able to vocally carry a show.
[ORLANDO] teens/20s, male, any ethnicity. Twin brother of Lysander. A young lover, somewhat innocent and vulnerable, gullible but sincere. MT Tenor, nice falsetto. Must be able to hold in tight harmony.
[LYSANDER] teens/20s, male, any ethnicity. Orlando’s twin brother. A young lover, outgoing and gregarious, quick to action and love. Impulsive and fun. MT Tenor, must be able to hold in tight harmony.
[MALVOLIO] 20s-30s, male, any ethnicity. Servant to Kate -- secretly madly in love with her. Possessive, small-minded, and ill-tempered. MT Baritone, articulate/sings patter, must be able to hold in tight harmony.
[SYLVIA] teens/20s, female, any ethnicity. A restless princess, somewhat air-headed but fun-loving. She is the golden child of the kingdom, much to the chagrin of everyone else. MT Soprano, must be able to hold in tight harmony.
[KATE] teens/20s, female, any ethnicity. Cousin of the Princess Kate & Beatrice. Opinionated and jealous of her younger cousin Sylvia, she is largely considered a ‘shrew”. MT Soprano with a strong mix/belt, must be able to hold in tight harmony.
[BEATRICE] 20s-30s, female, any ethnicity. Cousin of the Princesses. Proud and smart, even salty. Doesn’t believe in love and openly rejects Malvolio’s feelings towards Kate. MT Alto, must be able to hold in tight harmony.
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NAPOLEON – The Musical
Producer: Ernie Rubenstein
Book: Andrew Sabiston And Timothy Williams
Music: Timothy Williams
Lyrics: Andrew Sabiston
Director: Richard Ouzounian
Musical Director: Joshua Zecher-Ross
General Manager: Lisa Dozier King
Casting Director: Jamibeth Margolis, CSA
Rehearsals: TBA
Performance Dates: TBA
Venue: TBA
Synopis: There are icons, and those who help make them. Talleyrand is a master
politician operating in the shadows. He thinks he can manage the man he’s grooming for greatness. But there’s one thing he can’t control in Napoleon – his obsession with Josephine. In the battle to come, two of the three will be known forever. One will emerge as the devil incarnate.
If unable to attend EPA, please submit materials to:
Jamibeth Margolis Casting
888C 8th Ave. - #556
New York, NY 10019
OR
jamibeth.submissions@gmail.com
CAST SIZE
15 (10 male / 5 female)
Multiple roles to be played by all actors with the exception of Napoleon and Talleyrand.
MUSICAL STYLE: WICKED, SPRING AWAKENING, SWEENEY TODD. Non-operatic but not pop.
Contemporary with edge. Please audition with material fitting these descriptions.
SEEKING:
TALLEYRAND
Lead, no doubling
Baritone
Play 30-40
Career politician who spots the talent and promise in a young Corsican “nobody”
& manipulates those around him to facilitate Napoleon’s rise. Possess a serpent’s charm, able to beguile one instant and destroy the next. Must have great audience rapport and delights in telling the story of the rise and fall of Napoleon. Able to carry both spoken and sung scenes. Character References: Kevin Spacey in House of Cards, Richard III in Richard III
NAPOLEON
Lead, no doubling
High Baritone
Plays 20-30
Soldier who rises from nothing to become Emperor. Charismatic, brilliant & driven
by an unrelenting ambition; remains throughout a diamond in the rough whose energy and manner is closer to that of a street fighter than the sovereign he becomes. Obsessed with two things: success & Josephine. Able to carry both spoken and sung scenes. Character References: Leonardo DiCaprio in Gangs of New York, Alexander Hamilton in Hamilton.
JOSEPHINE
Lead, w/ doubling
Alto
Play 20-30
Aristocrat whose need to survive after the Revolution finds her playing mistress to Paul Barras, the debauched & corrupt leader of the new government. When rising military hero Napoleon is attracted to her and proposes marriage she see a way out of her imprisoning affair, but even then is careful to ensure she has a backup provider should her new husband be killed in battle. Strong, sensual, very much aware of her power over men – particularly Napoleon. Able to carry both spoken and sung scenes. Character References: Amy Adams in American Hustle, Elphaba in Wicked Vocal Ref: Wendla in Spring Awakening
BARRAS
Support, w/ doubling
Baritone
Play 20-30
Debauched and corrupt leader of the revolutionary government, Barras’s abuse of
Talleyrand is the fuel that feeds Talleyrand’s desire to plot against him & bring about his downfall. When Napoleon overthrows Barras he is liberator of not only the nation, but Talleyrand and Josephine as well. Barras’s dashing good looks mask a rotten interior. Character References: Claudius in Hamlet; Tommy DeVito in Jersey Boys.
LUCIEN
Support, w/ doubling
Baritone
Plays 20-25
Napoleon’s younger brother. Trusting, idealistic and naive. His belief in the
promise of the Revolution and his brother’s vow to uphold it, is instrumental to the
success of the coup d’état that brings Napoleon to power. When that vow is broken,
he challenges Napoleon, only to become the first personal casualty of an ambition that will ultimately lay waste to a nation. Able to carry both spoken and sung scenes. Character References: Cable in South Pacific. Vocal Ref: Melchior in Spring Awakening.
THÉRÈSE
Support, w/ doubling
Mezzo
Plays 20-30
Most wealthy and influential society woman in Paris, Thérèse loves a party and is Josephine’s closest friend. It is her money that bankrolls the coup d’état that brings
Napoleon to power, and her friendship that brings a shattered Josephine final comfort in her dying days after Napoleon has abandoned her. Character References: Queenie in The Wild Party, Cinderella in Into the Woods. Vocal Ref: Wendla in Spring Awakening (“Mama Who Bore Me”)
ANTON
Support, w/ doubling
Tenor
Plays 18-22
Young soldier in Napoleon’s army, Anton unquestioningly follows his leader as he
realizes the dream of the new world he’s fighting for, rising all the way through the ranks from lowly foot soldier to grand marshal. For Anton, anything is possible, even marriage to Clarice, a girl far above his station. What is impossible is the notion that Napoleon will ever fail – a blind belief Anton pays for dearly when he freezes to death in Russia in the aftermath of his leader’s ill-conceived invasion. Character Reference: Fiyero in Wicked, Vocal Ref: Moritz in Spring Awakening.
CLARICE
Support, w/ doubling
Alto
Plays 18-22
Spirited naiive daughter of General Henri, Head of War Ministry, Clarice marries
Anton and becomes part of the imperial court’s inner circle. When news of the failure of the Russian invasion reaches Paris, Clarice is one of the thousands of new mothers left waiting and hoping for the safe return of their husbands. Character Reference: Cathy in The Last Five Years
HENRI
Support, w/ doubling
Low Baritone/Bass
Play 40s.
Head of War Ministry, General Henri is the first influential figure Talleyrand introduces his young protégé to. Initially impressed with Napoleon’s strategic genius, Henri soon finds himself questioning the brutal tactics Napoleon uses to achieve his goals. Uncomfortable with the speed of social change under the Empire, all Henri can do is watch as his daughter charts her own course. Character References: Nick Massi in Jersey Boys, Peron in Evita.
FOUCHÉ
Support, w/ doubling
Baritone
Plays 20-30
Brutish & unscrupulous low-ranking civil servant, Fouché is one of two henchmen
serving Talleyrand. Physically bear-like, he makes for an odd pairing with Talleyrand’s other henchman, the rodent-like Garrau. Able to carry both spoken and sung scenes. Character References: Jigger in Carousel, Jafar in Aladdin.
GARRAU
Support, w/ doubling
Tenor
Plays 20-30
Obsequious and oily low-ranking civil servant. Is one of two henchmen
serving Talleyrand. Physically rodent-like, he makes for an odd pairing with Talleyrand’s other henchman, the brutish Fouché. Able to carry both spoken and sung scenes. Character Reference: Frump in How To Succeed In Business Without Really Trying. Vocal Ref: Bruce in Matilda
PAOLI
Support, w/ doubling
Bass
Play 40s
Leader of the government in Napoleon’s homeland of Corsica, Paoli and his soldiers
deliver the wounds that will shape Napoleon’s destiny when he is violently beaten after standing up to the authority of the Corsican government. Character References: Jud Fry in Oklahoma!, Caiphas in Jesus Christ Superstar.
HIPPOLYTE
Small Feature, multiple roles, ensemble
Tenor
Plays 20-30
Possessing Adonis-like good looks. Is an aristocrat who Josephine has an affair with immediately following her marriage to Napoleon. The resulting pregnancy is kept from his knowledge – a secret known only to Josephine, Thérèse, Barras and Talleyrand. Character References: Melchior in Spring Awakening, Henrik in A Little Night Music.
ENSEMBLE FEMALE 1
Multiple roles
Soprano
Plays 20-30
Will cover a wide variety of roles from peasant to society lady, foot soldier to new
mother, lady in waiting to member of the imperial court. Vocal Ref: Wendla in Spring Awakening (“Mama Who Bore Me”)
ENSEMBLE FEMALE 2
Multiple roles
Soprano
Plays 20-30
Will cover a wide variety of roles from peasant to society lady, foot soldier to new
mother, lady in waiting to member of the imperial court. Vocal Ref: Wendla in Spring Awakening (“Mama Who Bore Me”)
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