Magic Theatre 2024 Season - Stage manager submissions MAGIC Theatre | San Francisco, CA
Notice: Stage Manager
Bay Area Theatre
$831 weekly minimum (Tier 4) - Stage manager
Equity stage managers for Magic Theatre's 2024 Season (See breakdown).
Please submit your resume for consideration.
Deadline: 03/01/2024
mikef@magictheatre.org
Magic Theatre/ Mike Farrell
Fort Mason Center, 2 Marina Blvd, Building D Floor 3
San Francisco, CA 94123
Magic Theatre 2024 Season
DIRTY WHITE TESLAS MAKE ME SAD Written by Ashley Smiley
Directed by Raelle Myrick-Hodges
First Rehearsal 1/30/24
First Tech Rehearsal 2/23/24
First Performance 2/26/24
Closing 3/17/24
Possible Extension 3/24/24
Sean San José, Lead Director
Danny Duque-Estrada, Lead Producer Stephanie Holmes, Director of
Communications
See breakdown for production specific personnel.
See breakdown for production specific dates.
OTHER
MAGIC THEATRE
LORRAINE HANSBERRY THEATRE
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination.
Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Magic Theatre and Lorraine Hansberry Theatre 2024 Season General
The Magic Theatre and Lorraine Hansberry Theatre encourages actors of all races, ethnicities, genders, ages, body types, and physical abilities to audition. Everyone is encouraged to audition but we are rightfully centering BIPOC artists in our upcoming season - and also reflecting the worlds, backgrounds, cultures represented and written about in the three plays. Please come introduce yourself and share with us your amazing talent. Local actors are encouraged to audition.
Written by Ashley Smiley
Directed by Raelle Myrick-Hodges
First Rehearsal 1/30/24
First Tech Rehearsal 2/23/24
First Performance 2/26/24
Closing 3/17/24
Possible Extension 3/24/24
Written by Naomi Iizuka
First Rehearsal 5/07/24
First Tech Rehearsal 5/31/24
First Performance 6/5/24
Closing 7/21/224
Possible Extension 7/28/24
SYNOPSIS: Garuda’s Wing is a new play by Naomi Iizuka. This is a ghost play of interpersonal intimacy and international investigation. This mystery, intergenerational, global spellbinder is an exploration, shrouded in mystery, entangled in the effects of colonization. Garuda’s Wing is magical in that it is a play that is both a spellbinding trance and one that spans continents and time. This play begins in Borneo. It takes us to Jakarta. And in the midst, we travel through generations, histories, and bloodlines. The play involves a search, unearthing, murder, on the personal familial intimate level as well as connecting to the large global colonial plane. Iizuka possesses the ability to create intimate human portraits, while simultaneously evoking the layers of revolution and colonial effects - a stunning and magnetic feat, even in reading alone.
Translated by Naomi Iizuka from the original text by William Shakespeare for Play On Shakespeare.
First Rehearsal 7/23/24
First Tech Rehearsal 8/16/24
First Performance 8/21/24
Closing 9/8/24
Possible Extension 9/15/24
SYNOPSIS: Richard II is Shakespeare’s examination of the destructive powers of privilege. The company from the world premiere of Garuda's Wing will perform a new, lean production of Iizuka’s Play On version of Richard II shaped to this company. Not modernized, just new. Play On Shakespeare has created an entire library of new versions of the entire Shakespeare canon with some of the greatest living writers. The Magic Theatre is matching this translation of RICHARD II with a cast filled with the folx typically outside of Shakespeare text and productions. This will feature BIPOC, Women, and Queer folx throughout and rightfully centered, embodying the original story and context, created for now!
First rehearsal: August 13, 2024
Opening/Closing: September 20, 2024/October 6, 2024
Performances: Thursday, Friday, @ 8 pm, Saturday, and Sunday, @4 pm, Run time: 90 minutes.
SYNOPSIS: The Black Feminist Guide to the Human Body, details an intimate examination into aging and health disparities for Black women as well as the American medical system's impact on Black bodies and spirits. By combining collective prayers, spiritual dance and a soulful mixtape, this piece offers a community guide as a love song to Black women.
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