Music Theatre Wichita
**Out of an abundance of caution, the producers have chosen to cancel this EPA for the safety of our members and everyone involved. They anticipate rescheduling the auditions at some point in the near future.**
AUDITION DATE
Wed, Mar 18, 2020
10:00 am - 6:00 pm (EST)
Lunch 1:30 to 2:30
CONTRACT
URTA $924/week
SEEKING
Equity actor/singers for various roles in the upcoming 2020 Season. see breakdown.
All SM positions have been filled.
PREPARATION
Please prepare song appropriate for season repertoire. More info at www.mtwichita.org. Bring picture and resume.
LOCATION
Open Jar Studios
1601 Broadway 11th Fl
New York, NY 10019
PERSONNEL
In the audition room we expect to have Wayne Bryan (Producing Artistic Director), Nancy Reeves (Producing Associate, Company Manager), Joshua Larson (Staff Choreographer), Chuck Koslowske (Associate Musical Director)
OTHER
EPA Procedures are in effect for audition.
An Equity monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
** Asterisk ** indicates an offer has been made, but role may re-open as summer approaches
GREASE
dir. Wayne Bryan; choreo. Sara Edwards
reh. June 1, plays June 10-14
seeking
Sandy Dumbrowksi - (Teens-20s), intelligent nice girl high schooler. Good pop singer, mover.
Danny Zuko - (Teens-20s) dynamic, engaging high school greaser; exciting pop singer, funny actor, great mover.
Betty Rizzo - (20s) seemingly tough girl high schooler; sharp-witted, cynical but likeable. Pop alto, good dancer.
__________________
THE WIZARD OF OZ
dir./cho. Linda Goodrich
reh. June 15, plays June 24-28
seeking
Dorothy Gale (Teens, early 20s) - sincere, sensitive Kansas farm girl, killer voice, empathetic
Tin Man * - charming song and dance man with excellent tap skills and quirky sense of humor.
Prof. Marvel / Wizard * - Fake guru with Midwestern charm; 40s-60s; non-singing
___________________
SOMETHING ROTTEN!
dir./cho. Brian J. Marcum
reh. June 29, plays July 8 - 12
seeking
Nick Bottom * - appealing comic actor (30s-40s), bari-tenor, English accent, some tapping
Nigel Bottom * - Nick's impressionable younger brother, tenor (20s-30s), sensitive, idealistic, eccentric humor
Will Shakespeare * - rascally rock star version of the Bard; rock-n-roll tenor, comic timing, good accents, some tap
Bea Bottom - Nick's longsuffering wife (20s-30s), appealing belt voice, comic timing, facility with accents
___________________
TWELFTH NIGHT
dir. Wayne Bryan; cho. Al Blackstone
reh. July 13, plays July 22-26
seeking
Viola - person of color (20s-30s), boyish figure, fine facility for language; great pop singer
Orsino * - Duke of Illyria, leading man. Person of color. Pop baritone (30s-40s), smooth appealing singer, good with text
Olivia * - Noblewoman. Person of color (20s-30s), attracted to Viola (disguised as boy); comic timing, great pop singer, actor
Feste * - Female singer / musician / comic (20s-30s), good with text, plays piano and accordion well
Malvolio * - prissy, self-obsessed household servant (20s-40s), eccentric appearance, strong tenor-baritone voice
____________________
KINKY BOOTS
dir./cho. Nathan Peck
reh. July 27, plays August 5-9
seeking
Charlie Price - quirky young leading man (20s-30s) with terrific pop-tenor voice, British accent
Lola / Simon - talented Black drag queen (30s-40s) with killer voice, good legs, and irresisttible personality. Must work dynamically in high heels and elaborate costumes.
=====
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.
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