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MARLEY Equity Principal Auditions - Baltimore Centerstage Auditions

Posted October 16, 2014
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MARLEY - Baltimore Centerstage

MARLEY - Equity Principal Auditions
Baltimore Centerstage | Baltimore, MD

Date of Audition:
10/31/2014


Call Type
Equity Principal

Time(s)
Equity Principal Auditions
Friday, October 31, 2014
9:30 AM to 5:30 PM
lunch 1 to 2

Contract
LORT Non-Rep
B; $812/week AEA minimum

Location
Actors' Equity Association Audition Center
165 West 46th Street
16th Floor
New York, NY 10036
Studio A


Seeking
Equity Actors and Actor/Singers for various principal roles.

See breakdown for info.

Preparation
See breakdown for specific preparation instructions for each role available.

All bring picture and resume, stapled together.

Other Dates
Rehearsals:March 24, 2015
Opening:May 13, 2015
Close: June 14, 2015

Other
ECC/Singers on 10/30, 9:30am women, 2pm men, at AEA

Personnel
Artistic Director: Kwame Kwei-Armah
Director: Kwame Kwei-Armah
Book: Kwame Kwei-Armah
Music: Bob Marley
Music Director: Kenny J. Seymour
Casting Director: McCorkle Casting, Ltd.

· EPA Rules are in effect.

· A monitor will be provided.

Performers of all ethnic and racial background are encouraged to attend.

Always bring your Equity Membership Card to auditions.


Breakdown

Preparation Instructions:

If auditioning for the roles of Bob Marley, Rita Marley, Marcia, Judy:
Prepare contemporary monologue using Jamaican dialect. Prepare 16 bars of Bob Marley or classic reggae.

If auditioning for the roles of Don Taylor, Neville Garrett, Manley:
Prepare 2 contemporary monologues, one using a Jamaican dialect and the second using a British dialect


SEEKING:

BOB MARLEY
30’S. Charismatic leader of the Wailers. Icon of the common sufferer. Jamaican, intelligent, wanderer, deeply spiritual understanding of the world. He is an enigma – a deep sense of responsibility and love for the people and an equal sense of independence. He belongs to no one and everyone. Must sing.

DON TAYLOR
30’s / 40’s. Jamaican - Bob’s manager. Worldly, has the ability to seamlessly code switch between his rude boy Jamaican / British executive and American nomenclature. He has the business at the forefront and can be frustrated by the whims of his artist.


RITA MARLEY
30’s Jamaican. Bob’s wife, an “I Three”, and mother of the modern Rasta movement. She is Bob’s consciousness and conscience. She is earth. She is beautiful, solid, rooted, dark skinned, a nurturer. Rita pushes Bob to remember his responsibility in this world to family and the sufferer. She loves him but also releases him to the world. Must sing.

NEVILLE GARRETT
30’s Jamaican / Rasta. Bob’s right hand, photographer and art director He is smart, funny, and most importantly loyal. When all else is failing, Neville is there to help guide the ship and to gently remind Bob of importance of the band.

MARCIA
20’s / 30’s, Jamaican. One of the I-threes. She is a Rasta, with backbone. Believes in the music and the movement, but not willing to risk her life unnecessarily. Pushes the difficult conversations on behalf of the band, and moves from a place of love and self-preservation. Must sing.

JUDY
20’s 30’s. , Jamaican / Rasta. One of the I-threes. A dreamer, deeply loyal. Must sing.

MANLEY
50’s. Jamaican. Prime Minister of Jamaica. Leader of the People’s National Party. Thin, sprite, deeply charismatic man. Affluent, educated, politically adroit, occasionally ruthless. His has the unique ability to be both deeply sincere and yet feed his self-interests.

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