MAMMA MIA – NYC ECC / Female Dancers
North Carolina Theatre
AUDITION DATE
Wed, Nov 14, 2018
9:30 am (EDT) Female Dancers
CONTRACT
LOA (2019 weekly minimum pending. Current minimum is $769.00.)
SEEKING
FEMALE ENSEMBLE Characters are 20’s. Strong female singer/dancers with great pop voices.
ALI (20’s) Sophie’s friend who arrives to be a bridesmaid. Impulsive and fun. Should sing and dance well. Featured ensemble role.
LISA (20’s) Sophie’s friend who arrives to be a bridesmaid. Very energetic and playful. Should sing and dance well. Featured ensemble role. STRONGLY
PREPARATION
Please come ready to dance in dance attire with dance sneakers. Please also prepare 16 to 32 bars of a song from the show or in the style of the show in case asked to sing. Bring sheet music, in the correct key, as an accompanist will be provided. Please bring a picture and resume, stapled together.
LOCATION
Actors' Equity New York Audition Center
165 W 46th St
16th Fl
New York, NY 10036
PERSONNEL
Music and lyrics by Benny Andersson and Björn Ulvaeus and some songs with Stig Anderson.
Book by Catherine Johnson. Originally conceived by Judy Craymer
Artistic Director/Director: Eric Woodall Producer: Carolee Baxter Music Director: Edward G. Robinson
Choreographer: Monica Kapoor Associate Choreographer: Albert Guerzon
OTHER DATES
1st full company rehearsal: Monday, January 28, 2019. Show run is February 12 through 17, 2019 in Raleigh, NC at the Duke Energy Center for the Performing Arts.
OTHER
Theatre's Note: No non Equity will be seen at these ECCs.
ECC Procedures are in effect for this audition.
An Equity monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
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